Ever since I understood the positive effect breaking the cycle of silence and bearing witness, I have felt my writing had a purpose. So, I have tried bringing to light subject matters that usually are kept secret (incest, abuse), or that are unpleasant (like femicide) to talk about; I also have felt strongly the incoherence of War and the discourse behind the “reasoning” for its existence. A society that accepts the death penalty or justifies war, is only reinforcing the acceptance of violence as normal. Everywhere I’ve lived, I have become involved with the community, and the themes and concerns have usually been the same: art and culture, women’s issues and peace. However, it really has been in the last 2 years that I have found a way to finally merge my passion and my writing through my participation in 100 Thousand Poets for Change. In both editions I have found myself working (and learning from) the youngest of poets as well as from very young students who are still searching for their calling. After having learned more about Writing for Peace and their work with young people, it seemed natural to follow my “habit” of laying out bridges. I am grateful to be part of this project and hope to bring to it many Mexican and Latin American young voices.
~Pilar Rodriguez Aranda
Pilar Rodriguez Aranda is a poet, video artist, translator by trade and border-crosser by vocation. She was born in Mexico City, but lived in California, Texas, and New Mexico, for a total of 13 years; she presently lives in Malinalco, Estado de México and tries to commute to the capital city only when necessary.
She originally wanted to become a filmmaker, and started doing video while in college. Her piece “The Idea We Live In,” won first place at the 1991 Athens International Film and Video Festival, in Ohio, and at the Bienal de Video de México, 1992 (plus an honorary mention for scriptwriting); “The Unexpected Turn of Jim Sagel,” was “Best New Mexican Film” at the Roswell Film Festival in 1994, and “Return, or the Inexactness of Centre” was selected for the 2008 International Videopoetry Showcase (Argentina). Her video work has been shown in several festivals and museums in Europe and America. She has received grants from the Mexican Institute of Cinematography (IMCINE), the National Fund for the Culture and the Arts (FONCA), and the City of Austin Arts Commission, among others.
As a writer, she published her first poem in a student magazine, and since then, she has continued to publish poetry, articles and reviews in various magazines and anthologies in North America, like Voices of Mexico, Replicante, Ruptures, Tribuno del Pueblo, Saguaro, The America’s Review, Bilingual Review, DoveTales, and Mujeres de Maíz Flor y Canto, and Voces sin fronteras II, Éditions Alondras, Montreal, Quebec, to mention a few. In 2012 she published her first book of poetry, Asunto de mujeres (Story of Women), Cascada de Palabras, México. In february of 2013, she received as an award for her poem Nuestras Luchitas, a scholarship to participate at the 8th Annual San Miguel Writers’ Conference.
She makes a living as translator (http://pilartraductora.blogspot.mx), but has also published, most recently in the anthology Cantar de Espejos: poesía testimonial chicana de mujeres (Song of Mirrors: Chicana Women’s Testimonial Poetry) UNAM/Univ. del Claustro de Sor Juana, 2012. She just edited and translated into English, the anthology ¡Esos malditos escuincles!, 25 young Mexican poets 30 and under, for Big Bridge webzine.
She considers herself an “artivist” and is a founding member of the collective Contra la violencia, el arte (Against Violence, Art), and coordinator for 100 Thousand Poets for Change, Mexico chapter.
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