Category Archives: Artist-in-Residence

My Mother’s Funeral, A Review by Robert Kostuck

Adriana Paramo, Writing for Peace AdviserMY MOTHER’S FUNERAL

by Adriana Páramo

CavanKerry Press, 2013, 258 pp., $21.00, ISBN 1-933880-39-2

A Review, by Robert Kostuck

In My Mother’s Funeral, Adriana Páramo slips between her mother Carmen’s life before children, her own childhood memories, and the present—wake, funeral, cremation. Woven into these personal experiences is an omnipresent Columbia: the open spaces of Mariquita, the squalid poverty of Medellín and Bogotá, rival drug gangs, politics, Catholicism, the Communist Party revisited.

Objectivity is difficult to achieve in a book-length essay; Ms. Páramo, however, succeeds admirably—she gently and firmly pieces together the tapestry of the mother and daughter relationship; readers will find common themes presented in even-handed and sometimes startling prose. Her writing is educational without being didactic; emotional without being sentimental.

Politics in Colombia were harsh in the 1950s. Her rarely-seen father, ‘Mr. B’, a cachiporro (liberal), seduces the innocent Carmen, and after the wedding rushes her away from her home—a few hours ahead of the godos (conservatives). First night together is spent in a whorehouse; for the remainder of the marriage Mr. B comes and goes as he pleases, impregnating Carmen and then vanishing for months or years at a time. At one point her sister Dalila acquires a partially-decomposed adult male human skeleton—courtesy of a ‘snatcher’, recommended by the nuns—and together sister and mother boil and clean the bones. Assembled, Dalila receives her coveted A+ in anatomy and the unnamed skeleton literally hangs around the house, a possible replacement for the missing Mr. B.

The baby of the family, Adriana curls up with her mother in the kitchen or in bed, listening to the stories of the world filtered through a tabletop radio: sports, agony aunties, soap operas, tangos, boleros; Carmen singing along with the radio, Adriana, watching her mother “morph into a woman”.

“Tal vez mañana puedas comprender / Que siempre fui sincera / Tal vez por alguien llegues a saber / Que todavia te quiero. Maybe later you might understand / That I was always sincere / Perhaps someone will help you see / That I still love you.”

Childhood for Adriana, is a combination of head-long curiosity and goofy naiveté. Carmen, and to a lesser extent, her sisters, guide and guard the young Adriana. Memory is selective; what Adriana shows us is how this mother shapes her daughters: strict, efficient, economical—she maintains a poor but tidy home and life for her children. Lessons by word or example are rarely repeated; they become the very fibers of her daughter’s body and personality. Toward the end of the memoir, Adriana writes,

“Our financial situation started to improve when we moved to Medellín, and Dalila, Amanda, and Ligia got secretarial jobs that required them to wear nylons, high heels, and modest suits. Eventually they began going back to school at night, but they never stopped working, never stopped rescuing Mom and their two younger sisters from the constant panic of uncertainty. I owe everything I am to the women in my family—to my sisters and Mom. Nobody else.”

This is the heart of the memoir: what a daughter learns from her mother: how to be a girl, how to become a woman; and when that mother begins to fade from autumn into winter, how to become her mother. When Carmen, beset by Alzheimer’s, visits Adriana the wife and mother at her new home in Alaska, she relates a story about her pregnancy with Adriana so at odds with the life lessons she’d imparted over the years that her daughter feels an urge to “. . . jump into the lake and sink slowly into its frigid waters.” The fantastic and heartbreaking revelation adds another thin, sharp layer to this complex mother and daughter relationship.

Returning to Colombia in torn jeans and a gypsy blouse, Adriana arrives at the wake, faces somber and seemingly more mature sisters and a brother. Funerals are holidays for the dead, a time when far-flung family reunite and wonder aloud what went right and what went wrong. Her sisters and brother are emotional but methodical—Adriana feels like the only one with an incomparable loss—the woman who as a child promised her mother that she would always remain her little girl. A few days stretches into a painful eternity, and when the siblings return home to divide Carmen’s possessions, Adriana is nostalgic, then practical:

“I imagine landing in Miami, trying to make it through customs with a fern, a plastic chair, a flyswatter, a river stone, and a broom, and I have to laugh at my childishness. I discard my mental list. Instead I take a pair of earrings that belonged to my grandmother, (. . .) a photo of the six women—my four sisters, Mom, and me—that my brother took the day I left Colombia; the locket with a photo of my daughter that Mom wore around her neck like an amulet. I also seize the printout of Mom’s last EKG, taken two days ago.

“(. . .) I don’t know this yet but in six years I will look at this EKG and realize that the ink is fading away and with it the only existing traces of Mom’s heartbeat. I’ll have it tattooed around my left bicep, much to my family’s dismay, so that her heartbeat and mine will always be together.”

My Mother’s Funeral is the literal translation of that EKG tattoo, spanning decades, continents, and lives; a heartbeat that remains long after we scan the final page and move on into the days to come.

Robert Kostuck, Writing For Peace Guest WriterRobert Kostuck graduated from Northern Arizona University with a Masters in Education. His published work appears in the Kenyon Review, Concho River Review, Zone 3, Tiferet: Literature, Art, and the Creative Spirit, Silk Road, and others.

Writing for Peace News

Onward Into 2014!

Last year brought growth and many exciting firsts for Writing For Peace. Here’s a brief overview of 2013:

In 2013 our Advisers continued to demonstrate a commitment to peace and the power of writing through their work, their inspirational blog posts, brilliant ideas such as Mary Carroll-Hackett’s educational Facebook page for young writers, MCH-What’s Going On? and Pilar Rodriguez Aranda’s efforts to reach Spanish speaking young writers by translating our 2014 contest guidelines. Here are just a few of the highlights:

  • Sam Hamill‘s new and revised translated collection of Chinese poetry, Crossing the Yellow River is being published by Tiger’s Bark Press. His Selected Poems (not yet titled) will be published by Lost Horse Press in September 2014.
  • Lorraine Currelley was selected as an Artist-in-Residence for the 2014 Seniors Partnering with Artists Citywide (SPARC) and as a new member of the Pearls of Wisdom Storytellers. Her Poets Network & Exchange will publish their first poetry anthology in 2014.
  • Veronica Golos is working on a new book, Root Work: The Lost Writings of John Brown and Mary Day Brown. “Of course John Brown was a great abolitionist and so was his wife, Mary and she also had 13 children. I have Ghost Code poems and Runaway poems also in the book. This is a way to make history live again, to get inside it so to speak.”
  • Richard Krawiec supports a community of writers and activists through education and his ever expanding Jacar Press.
  •  Maija Rhee Devine spoke with young people in South Korea and the United States about her award-winning books, The Voices of Heaven and Long Walks on Short Days, her experiences as a young girl during the Korean War, and her work with Korean Comfort Women.
  • Dr. Margaret Flowers continues her peace and healthcare activism. She currently serves as Secretary of Health on the Green Shadow Cabinet. Her recent article, Major Social Transformation Is a Lot Closer Than You May Realize — How Do We Finish the Job?, is also co-written with Kevin Zeese, and published on AlterNet.
  • Adriana Paramo‘s new memoir, My Mother’s Funeral, explores the volatile relationship with her mother, and their love that defies cultural forces, Bogotá street violence, and Medellin drug lords.

This is just a sampling of the wonderful work all our advisers do. Please watch our blog for their posts, follow their work, and support the poets and authors whose writings and activism encourage a more thoughtful and peaceful world.

In 2014, we look forward to hearing from Board Member Andrea W. Doray, who recently returned from Nepal, and to continued growth – including the occasional review on our blog! On this first day of the New Year, we welcome guest writer, Robert Kostuck, who reviews Adriana Paramo’s memoir, My Mother’s Funeral.

Happy New Year, Writers for Peace! And thank you for your ongoing support!

 

Copyright © 2014 Writing for Peace. All rights reserved.

 

 

 

 

 

 

Upon Cave Walls and Birch Bark, by Paula Dawn Lietz

In order to write for peace, we must first be able to recognize it. Look for peace in the nooks and crannies of your day – in a child’s innocent chatter, a stranger’s smile, the red leaves rustling beneath a maple. We’re celebrating the peace of an autumn day with Artist-in-Residence, Paula Dawn Lietz.

Upon Cave Walls and Birch Bark, Image and words by Pd Lietz

Upon Cave Walls and Birch Bark

sultry days of summer dim
cool her last tarnished hurrah
as daring strokes of autumn
begin to thread shades of splendour

a regal composition of colours
textures, and astounding knowledge
unequaled is this labor of darwinism
a sense of security, in autumns safe keeping
we trust as we travel through
the dark bite of winter

recognition of this survival mode
an honour many take for granted
endless pathways behind us
setting the pace for those yet birthed
we acclimatize to the environment
the adapting so remarkable its history
marked upon cave walls and birch bark

Poem and Photograph by Pd Lietz ©

About Pd Lietz, Artist-in-Residence

Pd Lietz, Writing for Peace Artist-in-ResidencePd Lietz is a widely published writer, photographer and artist who lives in rural Manitoba Canada. Ms. Lietz was awarded first prize in the United Kingdom Frost Photography International Competition 2011. Her writing, art, and photography have appeared in many publications, and she was responsible for the cover art of many of these. You can view works by Pd Lietz at http://www.pdlietzphotography.com/.

Learn more about Pd Lietz here.

Writing for PeaceWriting for Peace News

DoveTales On Your Kindle!

Manuel A. López, DoveTales, an International Journal of the Arts, "Occupied" 2013 Contributor

Manuel A. López

Our beautiful DoveTales journal is now available in Ebook format and available for purchase on Amazon.com. In addition to all three stories from our first Young Writers Contest winners and the work of prominent advisers and outstanding contributors printed in our first hard copy edition, you’ll also find a new poem. Our EBook includes “Occupied Series” by Manuel A. López. Purchase your EBook here.

DoveTales, an International Journal of the Arts, "Occupied" 2013Support Writing for Peace by purchasing a hard copy of DoveTales, an International Journal of the Arts to gift to your local high school or junior high. Let us know you are gifting your copy, and we’ll include extra bookmarks (beautifully designed by artist-in-residence, PdLietz). Purchase our 2013 “Occupied” Issue here.

2014 Young Writers Contest

Writing for Peace Young Writers' ContestThe Writing for Peace 2014 Young Writers Contest deadline is March 1st, 2014. Our prestigious Judges Panel includes Robin Black, fiction; Dinty W. Moore, nonfiction; and David Mason, poetry. Submission guidelines here.

 DoveTales, a publication of Writing for PeaceDoveTales Call for Submissions

Writing for Peace is accepting submissions for our 2014 Issue of DoveTales, an International Journal of the Arts. Deadline for submissions is November 30th. The theme of our second journal is contrast. Check out our submission guidelines here.

Copyright © 2013 Writing for Peace. All rights reserved.

Finding Peace in Palestine, by Pamela Olson

Doves Take Flight, by Artist-in-Residence, Paula Lietz

Finding Peace in Palestine

by Pamela Olson

Pamela Olson, Writing for Peace AdviserI stumbled into Palestine at age 23, young, impressionable, and naïve about the ways of the world.  What I saw absolutely shocked me.  The way Palestinians were treated was traumatizing to witness.  It violated everything my heart had ever believed about fairness.  The brutality of it—against the people, against the land, against common sense and decency—was breathtaking.  And yet it was happening, and the people who were doing it were just people, not so different from myself.  They just happened to be in a political and social situation where such brutality was acceptable.

What people in the US hear about is mostly the brutality of Palestinians—their rocks, their bombs, their angry demonstrations.  Yet everyone I tour-guided in the West Bank (including Israelis and Americans) said the same thing once the situation began to become clear in their minds: “I can’t believe Palestinians aren’t more violent!”

This speaks of two things.  One is the tendency of Israelis and Americans to project their own attitudes onto others.  As regional and global hegemons, violence has often been ‘necessary’ to maintain Israel’s and America’s edges of power.  So violence has become normalized in those societies.  It has to, or they could not convince their citizens to perform and support such violence.

The second is the incredible ability of Palestinians to sublimate their anger and frustration and channel it into productive actions such as helping the less fortunate, engaging in non-violent resistance, or simply doing what they have to do to survive on land they have inhabited for centuries.  This is a story rarely told outside of Palestine, yet it is seen constantly within Palestine.

I brought my American sensibilities with me to Palestine, and at first I had a hard time controlling my outrage.  It was maddening to simply accept the conditions imposed on my friends without doing something, but in my angered state I couldn’t think clearly about what.

It was the Palestinians who convinced me, through their example, to calm myself as best I could rather than lashing out, at least at the beginning, and to keep learning and doing what I could day to day to improve things a bit (such as visiting injured Palestinians in hospitals) and try to educate my fellow countrymen about a situation about which most Americans are sadly ignorant, despite the fact that our government bankrolls an unjust occupation with billions of our tax dollars.

I started out working as a volunteer, then a journalist, but after a while I became frustrated.  The statistics and anecdotes in my 800-word reports could never capture the full gestalt of the situation for people who didn’t already have a good understanding of the history, culture, and politics of the region.  Most Americans in particular have a one-sided framework in their heads that distorts any attempt to explain a given situation.

I finally realized that if I wanted to reach people in a meaningful way, I would have to write a book that could take them through all the steps I went through, first to become intrigued about the state of affairs, then charmed by the region, then horrified about the situation, and finally confident enough to engage fully and fruitfully, with a kind of holistic understanding backed by years of research and soul-searching, always open to new information and analyses.

I tried to get that all across in 300 short pages targeted to American audiences (plus a sequel I’m working on that focuses more on the “special relationship” between the US and Israel and the intolerable situation in Gaza).  I hope it can make some kind of contribution toward real peace—sustainable peace that includes enough justice and understanding to serve as a stable foundation for what comes after peace is made.  I hope it can serve as a wake-up call to many Americans who believe the conflict is primarily about “terror” and “security,” who are comfortable with this framework, and who know nothing of Palestinian history, culture, or humanity.

It’s a small contribution in the grand scheme of this decades-long conflict, and it’s difficult to know if it will do any good.  As Palestinian superstar singer and UN youth ambassador Mohammed Assaf said, “There are many ways to make a difference in life, but my way is as an artist.”

If you do what you love, with an intention of peace—maybe it’s the best we can all do.

I won’t lie.  Sometimes it’s still very difficult to control my anger when another mother’s son or daughter is brutally taken from this world, or another piece of beautiful land is stolen and bulldozed into prefabricated settlements, and the killers and thieves escape any kind of justice.

But then I think of examples like the Palestinian family whose son was shot and killed by Israeli soldiers during a Muslim holiday, who grieved as much as any family who loses a son, searched their souls, and donated the boy’s organs to Israelis in need.

And I feel deeply humbled, and like there are better emotions than anger to motivate a human being.

What were the experiences that shaped Pamela Olson’s understanding of Palestine? Read an excerpt from Chapter 2 of Fast Times in Palestine, showing her first taste of both the wonder and oppression of Palestine.

About Pamela Olson

Fast Times in Palestine, by Pamela OlsonPamela Olson grew up in a small town in Oklahoma, and studied physics and political science at Stanford University. She lived in Ramallah for two years, during which she served as head writer and editor for the Palestine Monitor and as foreign press coordinator for Dr. Mustafa Barghouthi’s 2005 presidential campaign.

Pamela wrote an award-winning book about those experiences called Fast Times in Palestine.

Learn more about Pamela Olson’s work here. And check out Pamela’s website here.

About PD Lietz, Artist-in-Residence

Pd Lietz, Writing for Peace Artist-in-ResidenceThe art for this piece was contributed by Writing for Peace Artist-in-Residence, Pd Lietz.

Pd Lietz is a widely published writer, photographer and artist who lives in rural Manitoba Canada. Ms. Lietz was awarded first prize United Kingdom Frost Photography International Competition 2011. Learn more about Pd Lietz here. View works by Pd Lietz here.

Writing for PeaceWriting for Peace News

Young Advisers’ Panel

Writing for Peace is accepting nominations of extraordinary young activists, writers, and artists, for our new panel of Young Advisers. Please send nominations by email, along with the reasons for your nomination, and contact information to editor@writingforpeace.org, subject heading: Young Adviser Nominations.

2014 Young Writers Contest

Writing for Peace Young Writers' ContestThe Writing for Peace 2014 Young Writers Contest deadline is March 1st, 2014. Our prestigious Judges Panel includes Robin Black, fiction; Dinty W. Moore, nonfiction; and David Mason, poetry. Submission guidelines here.

 

DoveTales, a publication of Writing for PeaceDoveTales Call for Submissions

Writing for Peace is accepting submissions for our 2014 Issue of DoveTales, an International Journal of the Arts. The theme of our second journal is contrast. Check out our submission guidelines here.

Support Writing for Peace

DoveTales, an International Journal of the Arts, "Occupied" 2013Help us reach out to schools and young writers by purchasing a copy of DoveTales, an International Journal of the Arts to gift to your local high school or junior high. Let us know you are gifting your copy, and we’ll include extra bookmarks (beautifully designed by artist-in-residence, PdLietz). Purchase our 2013 “Occupied” Issue here.

Copyright © 2013 Writing for Peace. All rights reserved.

Writing for Peace News, July 2013

We abuse the landWe abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect.

~ Aldo Leopold

Photo by Pd Lietz, Writing for Peace Artist-in-Residence

 

Announcing 2014 Young Writers Contest Judges

Writing for Peace gratefully acknowledges our 2014 judges panel, three accomplished writers who have not only achieved excellence in their respective fields, but are also quick to volunteer their time where their efforts will encourage, inspire, and guide young writers.

Robin Black, 2014 Writing for Peace Young Writers Contest Fiction Judge

Photo © Marion Ettlinger

Robin Black (fiction), author of the story collection If I loved you, I would tell you this, published by Random House in 2010 to international acclaim by publications such as O. Magazine, The Chicago Tribune, San Francisco Chronicle, The Irish Times and more. Robin’s stories and essays have appeared in numerous publications including The Southern Review, The New York Times Magazine. Learn more about Robin Black here.

 

Dinty W. Moore, Writing for Peace AdviserDinty W. Moore (Nonfiction) is author of The Mindful Writer: Noble Truths of the Writing Life, as well as thememoir Between Panic & Desire, winner of the Grub Street Nonfiction Book Prize in 2009. He also edited The Rose Metal Press Field Guide to Writing Flash Nonfiction: Advice and Essential Exercises from Respected Writers, Editors, and Teachers. Moore has published essays and stories in The Southern Review, The Georgia Review, Harpers, The New York Times Sunday Magazine, The Philadelphia Inquirer Magazine, Gettysburg Review, Utne Reader, and Crazyhorse, among numerous other venues. Learn more about Dinty W. Moore here.

 David mason, 2014 Writing for Peace Young Writers Poetry Contest JudgeDavid Mason’s books of poems include The Buried Houses (winner of the Nicholas Roerich Poetry Prize), The Country I Remember (winner of the Alice Fay Di Castagnola Award), and Arrivals. His verse novel, Ludlow, was published in 2007, and named best poetry book of the year by the Contemporary Poetry Review and the National Cowboy and Western Heritage Museum. It was also featured on the PBS News Hour. Author of a collection of essays, The Poetry of Life and the Life of Poetry, his memoir, News from the Village, appeared in 2010. A new collection of essays, Two Minds of a Western Poet, followed in 2011. Mason has also co-edited several textbooks and anthologies, including Western Wind: An Introduction to Poetry, Rebel Angels: 25 Poets of the New Formalism, Twentieth Century American Poetry, and Twentieth Century American Poetics: Poets on the Art of Poetry. Learn more about David Mason here.

 Young Writers Contest Guidelines are posted here.

Call for Submissions!

DoveTales, a publication of Writing for PeaceWriting for Peace is accepting submissions for our 2014 Issue of DoveTales, an International Journal of the Arts. The theme of our second journal is contrast. Check out our submission guidelines here. Purchase a copy of our 2013 “Occupied” Issue here.

Welcoming Two New Advisers!

Writing for Peace is thrilled to welcome two new members to our esteemed Advisory Panel. Watch for their posts on our blog!
Phyllis Barber, 2013 Nonfiction JudgePhyllis Barber is the author of seven books (a novel about the building of the Hoover Dam, two books of short stories, two children’s books, and two memoirs, one of which, How I Got Cultured, won the Associated Writers and Writing Program Award for Creative Nonfiction in 1991). Her latest book, Gentle Fire: A Spiritual Odyssey is due out from Quest Books in May, 2014. It is a collection of essays based on her travels to a variety of spiritual practices, both traditional and non-traditional, in an attempt to find the Spirit that dwells in all people to one degree or another. Her desire is to help create harmony and understanding between people of seemingly opposing ideas and sensibilities. She has taught creative writing for the Vermont College of Fine Arts MFA in Writing Program for 19 years, and is currently residing in Park City, Utah, where she writes, edits, and critiques manuscripts for other writers. Learn more about Phyllis here.
Pamela Olson, Writing for Peace AdviserPamela Olson grew up in small town in Oklahoma and studied physics and political science at Stanford University. She lived in Ramallah for two years, during which she served as head writer and editor for the Palestine Monitor and as foreign press coordinator for Dr. Mustafa Barghouthi’s 2005 presidential campaign. She wrote an award-winning book about those experiences called Fast Times in Palestine.

In January of 2006 she moved to Washington, D.C., and worked at a Defense Department think tank to try to bring what she had learned to the halls of power — an educational but disillusioning experience. She is currently working on a sequel to Fast Times in Palestine called Palestine, DC. Learn more about Pamela Olson here.

2013 Young Writers Contest Winners

Winners for our 2013 Young Writers Contest were announced on May 1st. Entries came in from 21 different countries. Meet all our winners here!

Support Writing for Peace!

Last year we reached students in 21 countries, this year we hope to double the number of entries. Help us spread the word about Writing for Peace to schools across the globe!

Contact us at editor@writingforpeace.org to learn how your school can receive free bookmarks for participating students!

Copyright © 2013 Writing for Peace. All rights reserved.

 

Circle Jerk, by Paula Dawn Lietz

Circle Jerk, by Pd Lietz

Circle Jerk

by Paula Dawn Lietz

I had no reason to not believe
but when I questioned your integrity
you bore me down slamming pieces
of me like raw meat on the barbs of the fence
creating a collage of sorts of what I mistakenly
thought we were
peers you called us in this collaboration
when and where did this mirage take
on a physical presence

you called me the trash of yesterdays sins
I could not tell who screamed, was it you
or I, the rush of denial too strong in my ears
cruelly and oh so well you taunted me on
by a blindsided squall that took any sense
of my ability to reason let alone my will to breathe
you said I had no right to call my art….art
you said I was only good for circle jerk
on a barbwire fence

my ignorance was ashamed when I had to
ask what you meant by that, an image
I fear I will not forget

my eyes rolled to the back of my head
I felt frozen in time, betrayed I stayed hiding
within myself begging for a seizure
it was not to be I was to remember everything
being left in limbo, neither here nor there
but in dark place where all things grow
the strength of your cRAzy barbs slicing
sadistic jagged lines upon my mind
changing the energy within me
the tetanus coursing through my veins
nothing compared to the poison you fed me

 

Circle Jerk was previously published in The Schwibly.

 

Pd Lietz, Writing for Peace Artist-in-ResidenceAbout Paula Dawn Lietz, Artist-in-Residence

Paula Dawn Lietz is a widely published writer, photographer and artist who lives in rural Manitoba Canada. Ms. Lietz was awarded first prize in the United Kingdom Frost Photography International Competition 2011. Her writing, art, and photography have appeared in many publications, and she was responsible for the cover art of many of these. Learn more about Paula Dawn Lietz here.

 

Writing for Peace News:

In Our Blog~

This spring, Writing for Peace will look at gun violence and women’s equality, two important issues that are often intertwined. We’ll take a step back from the inflammatory gun control debate by exploring the subject through poetry, essays and fiction. Links to previous posts on these topics can be found below:

Silent Day, by Richard Krawiec

What Happens When We Lose Our Innocence? by Andrea W. Doray

Where Peace Begins, by Cara Lopez Lee

Opportunity, and Public Encouragement, by Richard Krawiec

A Stranger in Trouble, Part One, by Vicki Lindner

A Stranger in Trouble, Part Two, by Vicki Lindner

Exit Wound, by Melissa Hassard

 

Young Writers Contest

Our 2013 Young Writers Contest closed on March 1st with 106 entries from 21 different countries! Announcements will be made on May 1st, 2013. Congratulations to every young writer who participated!  The 2014 Young Writers Contest Guidelines will be posted on June 1st, 2013.

DoveTales, an International Journal of the Arts

The  “Occupied” 2013 issue of DoveTales has gone to press! The release date is slated for March 30th, but you will begin seeing some exciting changes on the website before then. Stay tuned, and thank you for your support!

Equity for Women Writers

Writing for Peace encourages all young people to write and to believe their writing can make a difference, but is that equally true for boys and girls? Sadly, the latest VIDA Count indicates that we have a long way to go to achieve gender equality in the literary world. Please help us reverse this trend by reading works written be women and promoting your favorite women authors. Ask your children who they are reading in school, supplement their reading list with books by women authors, and talk to their teachers, librarians, and principals about adding women authors to their curriculum. Take note of the authors reviewed in your local papers and advocate for women authors. Head to your library or book store with a list of the twelve amazing women on our Advisory Panel. And please make a statement in support of women writers here. Thank you!

 

Copyright © 2013 Writing for Peace. All rights reserved.

Writing for Peace Welcomes Paula Dawn Lietz, Artist-in-Residence

Pd Lietz, Writing for Peace Artist-in-Residence

Pd Lietz, Writing for Peace Artist-in-Residence

“I know not the words to express the deep honour I felt when asked to accept the position of Artist-in-Residence, joining the like-minded writers and artists in the folds of Writing for Peace. There’s an old English proverb that says, ‘When war begins, then hell opens.’  From a personal aspect I know this to be true, and there need not be a man-made hell.”

~Paula Dawn Lietz

As our first Artist-in-Residence, Paula Dawn Lietz is responsible for the cover art of DoveTales, adapted in the beautiful new headers of our website and Facebook page, as well as the bookmarks that will go out to young writers and their schools all over the world. Additionally, her art, photography and poetry can be found throughout the pages of DoveTales, an International Journal of the Arts, “Occupied” 2013, as well as the 2014 “Contrast” edition of DoveTales.

Whether with words, camera, or canvas, Lietz’s work reflects a broad spectrum of awareness that can be stark and cutting, or  warm and expansive. Her work reveals a love of nature, of light and shadows, unique angles and perspectives. She pushes through artistic boundaries, demonstrating a multi-media approach to voice, point-of-view and empathy.

Lietz, Mother, what was war

About Paula Dawn Lietz

Paula Dawn Lietz is a widely published writer, photographer and artist who lives in rural Manitoba Canada. Ms. Lietz was awarded first prize in the United Kingdom Frost Photography International Competition 2011. Her writing, art, and photography have appeared in many publications, and she was responsible for the cover art of many of these.

Learn more about Paula Dawn Lietz here.

Writing for Peace News:

In Our Blog~

This spring, Writing for Peace will look at gun violence and women’s equality, two important issues that are often intertwined. We’ll take a step back from the inflammatory gun control debate by exploring the subject through poetry, essays and fiction.

Coming soon: Writing for Peace Adviser Vicki Lindner shares her powerful essay about being assaulted at gunpoint in Egypt, and the kindness that led to her recovery in an Egyptian hospital. Lindner’s essay will appear in two parts on Monday (3/18) and Wednesday (3/21).

Young Writers Contest

Our 2013 Young Writers Contest closed on March 1st with 106 entries from 21 different countries! Announcements will be made on May 1st, 2013. Congratulations to every young writer who participated!  The 2014 Young Writers Contest Guidelines will be posted on June 1st, 2013.

DoveTales, an International Journal of the Arts

The  “Occupied” 2013 issue of DoveTales has gone to press! The release date is slated for March 30th, but you will begin seeing some exciting changes on the website before then. Stay tuned, and thank you for your support!

Equity for Women Writers

Writing for Peace encourages all young people to write and to believe their writing can make a difference, but is that equally true for boys and girls? Sadly, the latest VIDA Count indicates that we have a long way to go to achieve gender equality in the literary world. Please help us reverse this trend by reading works written be women and promoting your favorite women authors. Ask your children who they are reading in school, supplement their reading list with books by women authors, and talk to their teachers, librarians, and principals about adding women authors to their curriculum. Take note of the authors reviewed in your local papers and advocate for women authors. Head to your library or book store with a list of the twelve amazing women on our Advisory Panel. And please make a statement in support of women writers here. Thank you!

 

 

Copyright © 2013 Writing for Peace. All rights reserved.