Category Archives: Racism

Keep Moving, Friday Live with Erin Soros, Lorraine Currelley Honored

Keep Moving

By Carmel Mawle

I’ve got a lot to learn. That’s one of many reasons I’m so grateful for our Writing for Peace advisers. They come from different backgrounds, surviving personal hardships, war, and genocide. But rather than being defeated, they have grown in empathy and wisdom from those experiences. From life’s brutalities, they have crafted art and lives that serve as an inspiration to young writers and all of us in our Writing for Peace community. I am grateful that they don’t hesitate to give me their thoughts.

Recently I share a “Bored Panda” article on our Facebook page. It included 35 “feel-good” images of police marching with protesters, police taking a knee at the demonstrations, protesters preventing crimes and, in one case, protecting an officer who was separated from his group. My reaction to this post was similar to most of our readers who responded with likes and hearts and shares. It was encouraging to see what looked like progress.

And then I received the first message from an adviser with concern about this post. She had seen one of the pictures circulating on right-wing pages. Although she honored the sincere actions of the protesters, she wondered if some might view the image of black protesters protecting a white police officer as underlining white supremacy’s assumption that African Americans should sacrifice themselves for white Americans. She invoked Harriet Beecher Stowe’s Uncle Tom’s Cabin.

She made a good point. I contacted several other friends and advisers and heard reactions ranging from discussions of systemic oppression and the police as an enforcement arm of the oppressive state, to one in all capital letters warning that many of those pictures were staged. I took the post down because it seemed to cause pain more than promote peace. As it turns out, at least one of the officers who took a knee in front of the protesters had been guilty of police brutality himself.

A member of our Writing for Peace family after a recent protest.

What is true: We are protesting the cold-blooded murder of George Floyd and countless victims of the institutionalized and systemic genocide of black and brown people.

Writers for Peace are marching, working to Get Out The Vote, writing and calling their representatives, and creating resistance art that promotes truth. While some of us are unable to physically join the protests, we are working toward a more just world in other ways. We will continue to learn and grow, and keep moving forward.

And we will continue to be patient with ourselves and each other in this journey. We will give each other the benefit of the doubt in the knowledge that we are all doing what we can.

Stay safe and well. Be careful out there.


Carmel Mawle is founder of the nonprofit literary organization, Writing for Peace, and has served as Editor-in-Chief of DoveTales, An International Journal of the Arts since 2013. A Pushcart Nominee, her short stories, essays and poetry have been published in literary journals and anthologies, including Smokelong Quarterly and KNOTS Literary Magazine.

Writing for Peace News

Friday Live Reading Series

This Friday, June 12th, at 8pm EDT, Erin Soros will read from her work and give a short craft talk about her Lyric Essay process. Please help spread the word, and join the reading here.

868 2770 4845.

Erin Soros is a Postdoctoral Fellow in the Society for the Humanities at Cornell University where she is researching psychoanalytic conceptions of psychic energy and psychosis as a response to trauma.  She has published fiction and nonfiction in international anthologies and journals, including Short Fiction, The Iowa Review, The Indiana Review, Exile Literary Quarterly, Geist, Prism, West Coast Line, Fiddlehead and enRoute, and her stories have been produced for the CBC and BBC as winners of the CBC Literary Award and the Commonwealth Award for the Short Story.  Her academic articles weaving psychoanalysis, philosophy and autobiographical narrative have appeared in such journals as differences: A Journal of Feminist Cultural StudiesThe Journal of Intercultural Studies, The Journal of Curriculum Theorizing, and The Canadian Journal of Women and the Law.  New work has appeared in Literatures of Madness, published by Palgrave Macmillan, and in Women and the Psychosocial Construction of Madness, Lexington Press. Soros has been a visiting writer at four universities, most recently as the Harper-Wood fellow at St. John’s College at the University of Cambridge, a position that funded travel to learn from Inuvialuit oral history in Canada’s Western Arctic.  She was also a Mellon Postdoctoral Fellow in the Jackman Humanities Institute at the University of Toronto where she researched correspondences and tensions between Indigenous and settler understandings of the mind.  She has received a Fulbright Award, the Governor General’s Gold Medal, and two teaching awards, including Columbia University’s Presidential Award for Excellence in Teaching.

Read one of her lyric essays here.

Congratulations to Adviser Lorraine Currelley

Lorraine Currelley, Executive Director for the Bronx Book Fair and Poets Network & Exchange is the State of New York Bronx Beat Poet Laureate 2020-2022. The award was bestowed by the National Beat Poetry Foundation.

Read the full article here.

Call for Submissions: Resistance

The Summer Issue of DoveTales, An International Online Journal of the Arts will be published on August 1st, 2020. Our guest editor is Brad Wetzler. His theme is “Resistance.” Reading period will close on June 15th, 2020.

Read the complete guidelines here.


Young Writers Contest

The 2020 Young Writers Contest is closed. Results will be announced here on July 1st, 2020.

Copyright © 2020 Writing for Peace. All rights reserved.

Dylann Roof, “A Fractured Soul,” by Edward Currelley

In memory of Cynthia Marie Graham Hurd (54) – Bible study member and manager for the Charleston County Public Library system; sister of Malcolm Graham. Susie Jackson (87) – a Bible study and church choir member. Ethel Lee Lance (70) – the church's sexton. Depayne Middleton-Doctor (49) – a pastor who was also employed as a school administrator and admissions coordinator at Southern Wesleyan University. Clementa C. Pinckney (41) – the church's pastor and a South Carolina state senator. Tywanza Sanders (26) – a Bible study member; grandnephew of Susie Jackson. Daniel Simmons (74) – a pastor who also served at Greater Zion AME Church in Awendaw. Sharonda Coleman-Singleton (45) – a pastor; also a speech therapist and track coach at Goose Creek High School. Myra Thompson (59) – a Bible study teacher. In memory of Cynthia Marie Graham Hurd, Susie Jackson, Ethel Lee Lance, Depayne Middleton-Doctor, Clementa C. Pinckney, Tywanza Sanders, Daniel Simmons, Sharonda Coleman-Singleton and Myra Thompson.

The Case of Dylann Roof, “A Fractured Soul”

By Edward D. Currelley

Dylann Roof is an all-American boy. A home grown terrorist, Roof reflects an America this nation does not want you to know—the same nation that has now elected a president who promoted disrespect for women, hatred innuendo, division, and bigotry. Dylann Roof is the native son, a monster.

Unrepentant, Roof represented himself to prevent a court-appointed attorney from misleading the court about his mental capacity. Under oath he claimed to be sane, fully aware of his actions and their consequences.

Now Roof has been tried, convicted, and sentenced to death. Presently, he is in the process of filing for a motion granting ninety days to prepare for an appeal which, by law, he is entitled to. If anyone does, Roof deserves to die for his heinous crimes. There, I said it!

Let us digress. On June 17th, 2015,  Dylann Roof, aged twenty-two, was welcomed into a prayer meeting at Emanuel AME Church in Charleston, South Carolina. While standing in a circle with these unsuspecting souls, grasping each others’ hands with heads bowed in prayer, Dylann Roof pulled a semi-automatic weapon from concealment and shot thirteen people. Four of the victims were critically wounded, and nine died. One of the injured called the police from a hiding place under a table, and Roof was arrested a short time later without incident.

The next morning, my gut hurting and unable to stop the tears, I turned to social media and found the Internet teaming with declarations of hate, revenge, and cries for help. Exactly, I imagined, the reaction Roof and the white supremacists most wanted—to inflict fear, hatred, and emotional devastation.

So, despite my own anger and distress, I wrote an open letter to America—a letter about sympathy, about compassion for the victims and their families, and also about forgiveness. I wrote about the factions in our society that would raise a young man in hatred, warp his young mind, and set him free to prey on the unsuspecting. The reactions ranged from anger to praise, but a version of this post was later published in the 2016 DoveTales, An International Journal of the Arts, “Family & Cultural Identity.”  

The young Dylann Roof formulated his opinions regarding race relations without his family’s knowledge or approval. In his twisted mind he believed his killings would lead to a revolution or ignite a war between the races. Throughout the trial, he held fast to his convictions without remorse, despite the overwhelming sorrow expressed by his family for the pain and suffering he had caused. At the sentencing, he stated that he didn’t see the point of asking for leniency because he would do it again given the opportunity.

After just three hours of deliberation, the jury determined that Dylann Roof should be put to death. When I heard the news my first response was a resounding, YES!!! The punishment, I thought,  should be as harsh as the heinous crime. But then, as I relished that sense of justice upheld, the families of the murdered and critically injured began to come forward to plead for this young man’s life. Out of heart and through faith, they offered up forgiveness unmatched by anything I’ve seen of recent.

WE THE PEOPLE have a voice and will stand for only so much. This country incarcerates thousands of African American men and women each year for non-violent crimes. There are unwarranted police shootings and brutality of our young men and women, raising cries of Black Lives Matter. Now we’ve accepted a president with unprecedented ethical issues, a farce blatantly perpetrated on the American people that has resulted in increased hate crimes. With all they have suffered, personally and as African Americans citizens of this nation, how is it possible that these champions of faith hold on to such love of humanity? I have no answer.

I’m not vindictive. I don’t desire revenge. But I am tired of watching a tattered nation getting worse every day.  Still, for all my pain and discouragement, these people of faith have restored my hope for our nation.

There is absolutely no chance of Dylann Roof ever walking the streets again. Dylann Roof’s future lay within his heart and mind. He will never be a danger to anyone, except (perhaps) himself.  Some would ask, why waste tax-payer dollars on his incarceration. Roof may have hate in his heart, but he wasn’t born that way; it’s a learned concept.The incarcerated have time for soul-searching, and sometimes that reflection results in reformed thought, maybe even a better human being. Stranger things have happened. The most evil of hearts has found faith, remorse, and forgiveness within penitentiary walls.

If the people directly affected, the families and congregation, can forgive Dylann Roof, then who are we to deny their wishes beyond prison? With death we gain nothing, least of all satisfaction. With life there is a chance of reform.  The families and congregation of Emanuel AME Church have preached with the will of a higher power. My personal opinion doesn’t matter, but I believe this is one of those cases where an eye for an eye will only leave a nation blind.

Maybe, Dylann Roof will save himself.


Edward CurrelleyEdward D. Currelley is an author and artist. He was awarded honorable status by Writer’s Digest for Stage Playwriting in 2008. His children’s book, I’m not lost, I’m with you and young adult novel, That Krasbaum Kid will be published this year. His poems and short stories can be found in numerous anthologies and periodicals, such as Eber & Wein’s Across the Way-Mountain, The Mom Egg Review, Writing for Peace’s 2016 Dove Tales, Sling Magazine, Metaphor Magazine and Split This Rock. He is the president of Pen To Mind Books & Child Development Concepts, Inc. and resides in New York City. (

Small Writing for Peace logoA Message from Writing for Peace

We, at Writing for Peace, are horrified and deeply saddened by the tragic and inhumane terrorist attack at a Quebec City mosque. Our hearts and prayers go out to all those affected by this act of hate and incomprehensible violence.

Writing for Peace Adviser Azfar Rizvi and The Institute of Canadian Archives has put together a list of ways to offer help to the Islamic Cultural Center of Quebec during this difficult time of healing. They suggest donating by check or direct deposit according to the instructions provided on the Islamic Cultural Center of Quebec’s (CCIQ) website:

1. Make a cheque out to “Islamic Cultural Center of Quebec” and send it to:

Islamic Cultural Center of Quebec
2877 chemin Sainte-Foy, Québec, Quebec G1V 1W3

2. To donate by direct deposit:

Banking institution: Caisse Populaire Desjardins
Agency: Laval University, Quebec
Account number: 0815 20439 041290 8
Beneficiary: Islamic Cultural Center of Quebec
Address: 2877 chemin Sainte-Foy, Québec, Québec, G1V 1W3

As incidents of hate crimes continue to rise in this political climate, we will strive to counter that hate with acts of empathy, compassion and love. We will write for peace, march for peace, and reach out across divides (real and imagined) for peace. As many of us recently chanted in streets all over the world, we believe in building bridges, not walls.

Copyright © 2017 Writing for Peace. All rights reserved.


The Night of Shattered Myth, by Swatilekha Roy

Swatilekha Roy is a 2016 Young Writers Contest Notable Finalist who writes from Durgapur, West Bengal, India. Swatilekha’s story caught the attention of our judges with its courage and hope. As one of our judges commented, “Swatilekha reaches for empathy in the darkest places of humanity and imagines not only what could cause a man’s extreme loss of compassion, but also where he might possibly find it again.”

In her words:

For me, the most deadly weapon yet discovered by mankind is a pen. ‘A pen is mightier than the sword.’ In today’s world, we have everything except peace and as they say, everything comes with a price. The biggest price yet has to be paid by those who fight for peace, physically and verbally. Writing has the power to bring about revolution. It is that gentle tremor that can shake the world. It is writing and writing alone that can change the face of the world for the better and make it a more peaceful place to dwell in. I would like to congratulate Writing for Peace on their outstanding feat of spreading the aura of peace through mere words.
~Swatilekha Roy


The Night of Shattered Myth

By Swatilekha Roy


9th November, 1938

Just as our truck neared the corner of the Heidereuter Alley, the moon retired behind the clouds. Shards of glass littered the pavement. The night was filled with desperate shrieks, breaking glass, gunshots, and pleas for mercy.

Our orders: to ship these savage fools with yellow stars to extermination camps.

Our duty: to follow without question.

Our job: to kill.

The coal-black swastika on the rear of the truck showed a ghastly grin. Peace is a fool’s concept. War is the imperial truth. The synagogues heaved desperately, and thousands of Jews prayed for escape.

The orders were precise, “Execute as many children as you wish. They eat, yet can’t work.” Men and women would be sent to separate extermination-camps to be starved or tortured until death arrived as a welcome release.

As I was loading the emaciated Jewish children into the truck, I felt something tug at my shirt sleeve. Disgusted, I turned to find a bony child with hollow eyes. My duty was to kill, but something about him was familiar. And then it dawned on me. “Abbott?”

The child nodded. “I am Issao, Abbott’s son. They killed my father.” Tears welled in his eyes.

I suddenly remembered the pool we had loved as children, Abbott and I playing our reeds at the lake’s edge. Our different religions never came between us until Herr Hitler began his crazy rampage. When I was taught about the Jewish scourge, I hadn’t wanted to think about my friend. And now, looking into his son’s eyes, I was no longer a soldier. I was just a human being, an indebted friend.

I knew I was making a terrible mistake. I could almost hear the Führèr screaming, “Treason! Death!” But, the one speck of humanity that still blotted my soul rebelled. Acting on instinct, I checked to make sure the children were seated safely in back and bolted the latch. I turned the key and the truck’s engine rumbled to life. The swastika glared at me. Treachery? Death! As I sped off with the truckload of gaunt children, the moon abandoned its hideout and lit my way. Children were crying from hunger and fear and I was in disbelief. How could anyone justify the murder of innocent children?

Near the heavily guarded Berlin border, my heart began racing faster. There was no way I could pass through without getting shot. I prayed for a miracle.

As I neared the gates, the guard stopped me. “Your pass?”

“I, well…the orders were last moment. I’m shipping this scum out of Berlin. Here’s my badge.” He eyed me suspiciously. I flipped him a couple of Reichsmarks. “For bier!”

The guard saluted and, with a cry of “Heil Hitler,” opened the gates.

Driving away from Berlin, I racked my brain for connections I could use for the children’s safety, but most of the people or places I knew were far too risky. And then I remembered Paul, my childhood teacher and the kindest man I had ever known. He was my only hope. I made my way toward the familiar village from my youth.

As I reached the outskirts of town, I was comforted by the familiar sights. I drove through the village, past the solitary willow tree and my old church, and turned onto a dirt road marked by a rusty signboard advertising cheeses and fresh milk. I pulled to a stop in front of the farmhouse, got out, and knocked on the door, but when I asked for Paul, the woman shook her head.

“Please, Paul was my friend and teacher when I was a boy.”

She hesitated, wiping her sturdy hands on her apron. “Follow me,” she said, and stepped outside to lead me around the house toward the barn where a man with gray hair and rimmed glasses sat on a bench, reading. He looked up at my uniform in alarm.

“Paul,” I whispered. “Is that really you?”

“Have we met?”

“It’s Alfred. I’ve come for a refresher on formulas,” I said.

Paul flashed me a cautious smile and said, “Come sit, my friend. I had one particular formula that has stayed with me all these years.”

I sat beside him, laughing in relief as he gave my head the same sturdy knuckling I remembered from my childhood. He introduced me to his wife and began filling me in on the goings on at the farm, the cows, and children. It was if we had never been apart. But could I trust him with the children’s lives? With my life? Was it fair to ask him to risk his own life? His family and farm?

Before I could ask these questions, his wife was coming back around the house with two of the children. “There’s more, Paul.” She held their little hands tenderly, but her face reflected the horror of our situation.

Paul looked surprised as I broke into tears. “I, we, need your help. I’m sorry to ask, but they’re just children. Innocent children.”

Paul’s kindness and moral integrity was unchanged. He immediately agreed to help the children with this risky endeavor. Two of his farmhands emerged from the barn to help unload the children and get them into the house.  Some were barely alive. As the children were carried inside, I again felt a tug. “Did you know my father?” asked the boy.

I lifted the bony, weightless thing into my arms and kissed his dirty forehead. “Don’t worry. They’ll take good care of you.” I couldn’t answer his question, admit what a selfish, bloodthirsty cut-throat his father had once befriended.

“It’s time you leave,” Paul said. “Your truck will attract attention.”

I nodded, as Paul’s wife took Issao’s hand.

“May God bless you! We’ll take care of them,” my friend promised.

As I hoisted myself into the truck, the sky was illuminated with a brilliant orange hue. Even if I died today, I had no regrets. For once, I had been my own Führèr.


Meet Swatilekha Roy, 2016 Notable Finalist

Swatelikha Roy, finalistSwatilekha Roy is a seventeen years old amateur writer. The day to day fancies of nature leave her flabbergasted. Swatilekha’s favourite pastimes include sitting alone and listening to hardcore music, painting, reading novels and, of course, writing and editing. She loves critical study in literature. She is a diehard fan of fantasy and science fiction. Moreover, traveling intrigues her. Swatilekha writes to ventilate her feelings and to give in to the indomitable spirit of her fountain-pen. Writing gives her great joy. It’s her dream to become a writer and train amateurs like herself. This is the second time Swatilekha has participated in the Writing for Peace contest and the fact that she is a finalist delighted her. Earlier, she had also been selected as one of the best entrants in national level Campfire Young Writer of the Year Contest. Swatilekha would like to use this platform to extend her heartfelt gratitude towards everyone who stood by her: parents, family (especially, her uncle who is unfortunately no more) and friends.


Small Writing for Peace logoWriting for Peace News

2017 Young Writers Contest

2013 Writing for Peace Young Writers ContestOur annual young writers contest will begin as scheduled on on September 1st, 2016. Watch for details and announcements on this blog soon.

The Peace Correspondent: Call for Submissions

Information is beginning to go up on the website about our new online periodical, The Peace Correspondent, a tri-annual solution-based publication. The first issue will be published on October 31st. Submission deadlines are September 15th. Guidelines are posted here.

DoveTales, An International Journal of the Arts: Call for Submissions

DoveTales, a publication of Writing for PeaceGuidelines are posted for the 2017 Edition. DoveTales is an extension of our mission to promote writing that explores the many aspects of peace.  Our purpose is to expose young writers to a diverse collection of thoughtful works by established and emerging writers, as well as our advisers. The journal will also feature works by the winners of our annual Young Writer Competition. The journal will be released on May 1st, 2017. There is no fee for submission, but please read our guidelines carefully.

Theme: The theme of our 2017 issue of DoveTales is Refugees and the Displaced. As in our earlier issues, we encourage contributors to take a broad view of the definitions within the context of peace.

  • The reading period begins July 1st, 2016 and ends January 15th, 2017, and the journal will be released on May 1st, 2016.

Support Writing for Peace

You can help make the Writing for Peace Mission a reality by supporting our youth outreach, international journal, and peace journalism in the following ways.

  • Help spread the word about Writing for Peace. One way to do that is to frequent our Facebook page, share and like our posts.
  • Purchase copies of DoveTales for yourself, friends, and loved ones.
  • Add Writing for Peace to the list of organizations you support in your annual giving. Writing for Peace is a 501c3 nonprofit corporation, Federal Tax ID Number, 45-2968027. Donate now.

Thank you for your on-going support!


Copyright © 2016 Writing for Peace. All rights reserved.


Purse String Stagecraft, By David Scott Pointer


   Purse String Stagecraft

By David Scott Pointer


Flesh-eating economic system



over community blood pressure apparatus,

attached to intergenerational empty wallets

attached to local and international poverty

attached to invisible, intertwined groups

with similar, different interests systemically

turned upon each other like pit-bulls or birds


opening up the doors of paddy wagons


box spring-bounce house, driver euphoria

disguising decades old ‘screen test’ metal

rebranded as unfortunate rough ride…….

splashed into teenage brain cells


to corporate college, mass consumerism


page-turner TV, sound byte burn-bits

strategically misusing blackness stilled

aiding 1% adding machine economics



Brake Slamming Role Players


Police act like casting agents



prisoner transport van, vamoose,

stomping on, lead-footing gas…

catapulting cuffed, unsuspecting

prisoners head-neck first into

their ‘screen test’ debuts, with

slim chance at Hollywoood, now

enroute to overcrowded hospital


About Writing for Peace Adviser David Scott Pointer


David Scott Pointer is a long time social justice/political poet. His father, a piano playing bank robber, died when David was just 3 years old, leaving him to be raised by his grandmother, who determined that the best way to keep her young charge from emulating his “scoundrel” father was to socialize him to be a good soldier.  David’s earliest memories are of training for battle in his backyard in Kansas City, Missouri. Learn more about David and his work here.



quill3Victoria’s Writing Tips~

Creating Story Tension with Characters

By Victoria Hanley

An important part of writing a story is creating a convincing antagonist to oppose the main character. For this writing exercise, bring to mind someone from real life whose personality grates on you and whose perspective seems to be all messed up. Now, write a scene from that person’s viewpoint. Describe the world through their eyes, and do your best to imagine and express the turbulent tides of their emotions. How will this help you to create an interesting antagonist for a story of your own?


Meet Victoria Hanley, Writing for Peace Adviser

Victoria Hanley, Writing for Peace AdviserVictoria Hanley’s novels have won many honors and awards at home and abroad, and inspired two nonfiction writing books: Seize the Story: A Handbook for Teens Who Like to Write, and Wild Ink: Success Secrets to Writing and Publishing in the Young Adult Market. She teaches writing at Lighthouse Writers Workshop in Denver and at Northern Colorado Writers in Fort Collins.

Learn more about Victoria’s books, read her blog, download a free chapter of Wild Ink, and watch Victoria in action at

Small Writing for Peace logo

Writing for Peace News

Activism Update From Adviser Dr. Margaret Flowers:

Dr. Margaret Flowers, Writing for Peace Adviser“A recent report by the Union of Concerned Scientists, “The Climate Deception Dossiers,” proves that the corporations which profit from the burning of fossil fuels knew about global warming decades ago, knew their industries contributed to it and responded by funding propaganda to deny global warming and pushing policies that increased their profits at the expense of a livable future.”

Follow the latest Popular Resistance developments here.


DoveTales “Nature” Edition Update

DoveTales "Nature" CoverPurchase your copy of DoveTales “Nature” and support Writing for Peace! To all those who have ordered books for yourself, family, and friends, we thank you from the bottom of our hearts. Book sales help to cover the substantial costs of funding our mission.

DoveTales are available through our website here.


 Copyright © 2015 Writing for Peace. All rights reserved.

Poems from ROOTWORK, by Veronica Golos

Veronica rootwork croppedPoems from ROOTWORK

by Veronica Golos

From The Lost Notebook, Mary Day Brown_________________
Elba, New York, late evening, December 6, 1859.
five days after the hanging of my husband John Brown
This morning they began to arrive. First
a small wagon, a man, his young son
beside him. Then an entire
family, three children, father
mother, grandmother.
Even some we had
helped on to Canada. I stood
in my doorway, as the tract around the house
filled with horses, wagons, those who
had walked. Mr. Epps was nearby,
Mr. Riddick, silent as always.

I will not weep.

All day, the crowd grew, many wearing black armbands,
mostly the negroes, & there were
hundreds—& a number
of whites as well. There was little talk. Whispers
as someone moved to make room.
Dusk settled upon us; campfires flared—
huge stars, the ground
a hard sky. Somewhere, someone
began to sing:

My Lord what a Morning
My Lord what a Morning
Oh My Lord, what a Morning
When the stars begin to fall.

People stood, swaying, firelight flickering.
It was a song well known,
their voices came together, a keening sound.
A sole harmonica,
far back in the crowd. I could hear horses snorting,
the rustle of animals in the woods.
The words, no, the feeling inside the words, for him,
made me tremble. I had to sit. His chair,
where he liked to rest
as the sun went down.

From The Lost Letters, John Brown to Mary Day Brown

Charlestown Prison, Jefferson County, Virginia,
December 1, 1859.

Dearest Wife,

Mrs. Frances Harper has agreed to deliver this letter.
I trust her completely, as do you. She will help, I believe, in the days
to come. Trust, also, in the Lord.

I say trust in the Lord & yet I send this missive
full of questions. What have I left
undone, unsaid? I do not doubt the Lord, but
we tried to rally great numbers, & we did fail. Have I
sacrificed my sons as Abraham might have done? Have I
laid down others upon an altar? Did I
judge wrongly? That slavery will come to its end
through fire, that I do not doubt. It is my own life
that I wonder, have I done it right?

I know the Lord is righteous, & the passion the enslaved
bring to Bible removes any doubt – yet, Mary, the suffering.

We lived together at Kennedy’s farm, negro and white,
your daughters too. All were upright & were branded with friendship,
not iron. Can not the world be as this? Together & in dignity?
All fallen as we are?

Your husband, John Brown

Veronica Golos, Writing for Peace Adviser release, small

.ghost code. before.
sand is flat
and the wet
salt ticks
through air
the sea slurs

into the hair of tides
I am still damp
when I wake from before
deep in this

I hear the low bells
charge the air
a bonnet
of ringing about my head

O I remember     once I loved a bound man

I hid
his flowers
under the floorboards
and the small
of his loving
I buried
beneath the tulips

I owned nothing
not   myself   only
his kindness
dripping down my throat
for me to taste

Veronica Golos, Writing for Peace Adviser release, small

From The Lost Notebook, Mary Day Brown

Elba, New York, May, 1855.

It is dark & I write by a thin light.
The children still sleep.
John Brown away to Kansas with his sons.
I am gaining something here. Hard
work does not fray me; I am a dry
cord, wood piled & ready to be burned.

Yesterday, two Abolition Ladies visited
to bring us funds. They lifted their skirts
above the mud.
I was planting with my negro neighbors, Mr. Epps & Mr.
Riddick. We’d already shorn their sheep. We were heavy
with work.

“Oh, I see,” Mrs. Wrightworth said. “You
have no men folk here.”

I write this, my anger a blue flame.
My neighbors turned—walked
the steep hill toward their farms; the maples
were shaking in the light.
Here, in Elba, finally, it is spring.
Outside is all loveliness—the lilacs are just about to

through. I am so ashamed.
The good-intended
can cut a wound & worse, they do
not know what they do.

About Writing for Peace Adviser Veronica Golos

Veronica Golos, Writing for Peace Adviser B&WVeronica Golos is the author of Vocabulary of Silence, winner of the New Mexico Book Award, poems from which are translated into Arabic by poet Nizar Sartawi, and A Bell Buried Deep, co-winner of the 16th Annual Nicholas Roerich Poetry Prize (Story Line Press), to be re-issued by Tupelo Press. Her most recent poetry book is Rootwork: The Lost Writings of John Brown & Mary Day Brown, (3: A Taos Press, 2015). Golos is the Poetry Editor for the Journal of Feminist Studies in Religion (Harvard Divinity School), and co-editor of the Taos Journal of International Poetry & Art. She lives in Taos, NM, with her husband, David Pérez. Learn more about Veronica’s work here. ROOTWORK is available for purchase through 3 Taos Press.



quill3Victoria’s Writing Tips~

Writing Through Sorrow

By Victoria Hanley

For this writing exercise, I encourage you to remember and record a sorrow that you have lived through. When and where was it? Who was there, and what happened? Write it all out, and let your emotions come through, as if your words are tears on the page. Keep writing, and let it all pour out of you, even if it feels as if your tears are an ocean. Write, write until your heart begins to feel something new, until you have some bit of freedom from this sorrow.

Meet Victoria Hanley, Writing for Peace Adviser

Victoria Hanley, Writing for Peace AdviserVictoria Hanley’s novels have won many honors and awards at home and abroad, and inspired two nonfiction writing books: Seize the Story: A Handbook for Teens Who Like to Write, and Wild Ink: Success Secrets to Writing and Publishing in the Young Adult Market. She teaches writing at Lighthouse Writers Workshop in Denver and at Northern Colorado Writers in Fort Collins.

Learn more about Victoria’s books, read her blog, download a free chapter of Wild Ink, and watch Victoria in action at

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Writing for Peace News

Activism Update From Adviser Dr. Margaret Flowers:

Dr. Margaret Flowers, Writing for Peace AdviserRead Margaret Flowers and Kevin Zeese latest article on TPP Fast Track here.

Follow the latest Popular Resistance developments here.


DoveTales “Nature” Edition Update

DoveTales "Nature" CoverDoveTales “Nature” is now in the distribution process, making its way across the globe through the USPS. We’ve sent two shipments this week, and a third will go out on Saturday!

To all those who have ordered books for yourself, family, and friends, we thank you from the bottom of our hearts. Book sales go a long way toward the substantial costs of funding our mission.

DoveTales are available through our website here.


 Copyright © 2015 Writing for Peace. All rights reserved.


Beyond the Sea, by Vicki Lindner

Vicki with JimBeyond the Sea

An excerpt from Baby, It’s You,  a memoir

By Vicki Lindner


Author’s Summary:

“Beyond the Sea” is Chapter 17 of Baby, It’s You, my memoir-in-progress about love, race, and rebellion. This story of an ill-fated interracial relationship begins in the early ‘sixties, before the Cuban Missile Crisis, the Birmingham Crisis, and the church bombing that killed four African American teenagers in 1963. Also yet to come is the March on Washington, the Assassination of John F. Kennedy and Martin Luther King, the Civil Rights Bill, and nation-wide protests against the Vietnam War. With no computers, we wrote on typewriters, and couldn’t imagine the feminist or sexual revolutions. In spring, 1962, however, when the scene below takes place, these changes were blowing in the wind. Although I’d won the “Miss Morris Hills” contest for reciting my own funny “odes,” and was the high school’s star journalist, as well as an actress, I was a renegade, a self-declared Existentialist, determined to defy cultural expectations that all girls were meant to become mothers and housewives. “Jim,” as I call him, the handsome, sensitive boy I fell for, (and address as “you”), was an amazing track star, and the only African American in my large high school. Ready to take on the world of discrimination and prejudice, personified by my southern mother, I had no idea that New Jersey was a surprisingly racist state, known to blacks as “The Georgia of the North.” As for Jim, he wanted, reasonably, to be accepted for who he was, but he rejects the Civil Rights Movement, and when prejudice and taboo come down upon us, he runs from me, only to return declaring his love. We are apart more than we are together. When this chapter begins, the reader knows that the important adults in my life are trying to persuade me that Jim and I, and the “mulatto” children they believe we will have, do not have a future. My Dad, a brilliant engineer, who has worked for the local Arsenal since World War II, will soon become an internationally known authority on conventional ammunition, including weapons now banned by international law. My mother has threatened not to send me to college if I don’t stay away from Jim. My father, as you will see, has another solution. But both of our lives are full of secrets.

Beyond the Sea

Dad suggests we take the rowboat out. “Come on, it’s too nice a day to sit around mooning.”

“I’m reading!” I retort. I hold up The Fire Next Time, James Baldwin’s new essay collection. I know this was the book because I wrote, “I don’t see Jim as a ‘priapic black stud,’” a Baldwin quote, in my journal. Still, Dad is the only family member I can stand at the moment, and I’m pleased he’s asked me to join him.

Recently, he’s traveled to a lot of foreign countries. The Arsenal sent him to Vietnam. From Germany, the last place he went, he sent me two postcards. On one, with a picture of a fountain surrounded by marble monkeys, he wrote that Braunschweig had been hit badly in the war, but was rebuilding fast. In Cologne he’d visited the university, an “awe inspiring” cathedral, and traveled down the Rhine by ship: “While I didn’t see maidens beckoning to me, or hear any irresistible siren calls, I saw the impressive country side and fabled castles,” he scrawled. On a page of thin blue parchment stamped “Hotel Europa, Weimar,” he described the “torturous streets full of hurrying students,” Goethe’s house, herring and black bread, and said he hoped I’d someday find a professor and settle down to raise my brood in a university town. (I pictured a hen pecking worms into cheeping beaks, but didn’t wonder why my father failed to imagine that his bright daughter could become a professor herself.)

He never said what he was doing in Europe. Mom, who complained that Dad didn’t discuss his job with her, had no idea either. But from a newspaper clipping I recently found in his desk, I now conclude that he was making sure West Germany’s defense system was interoperable with ours.

“I want to make you an offer,” he says, as we slam out the door. Suspicious.

We plunge down the steep bank that leads from our backyard to the lake, our shoes sliding on slippery dead leaves. Spring is underway. The maples and oaks have untwisted their twigs into yellow-green sheaves; soon they’ll thrust shady umbrellas above their black trunks.

Although we’ve lived in our big new house in Randolph Township less than a year, my secrets already infuse the grey boards of this dock. Dad has no idea that we kissed down here one winter night, you holding me inside your letter jacket, warding off the sky’s cold glitter. Now it’s too risky for us to be together this close to our house.

I also hang out here with Izzy, my tall skinny friend. He told me about the book he found in a box of his dead father’s stuff—Love without Fear, by Eustace Chesler. “It explains how to explore a woman’s body,” he said. He and Edie, his rich New York girlfriend, had gone through all of Eustace’s preliminary exercises; he wanted to do it with her so bad he could hardly stand it, but she stuck to her goddamned rules. I was dying to know what these exercises were; I didn’t think you and I did them. Sometimes I thought I loved Izzy, too, platonically, of course, not the desperate yearning way I loved you. “Your words are like sun on brown water,” I wrote in a poem dedicated to Iz. “I need not watch your face to know how your eyes crinkle to ripples and what shade of blue they are.”

Mystical events, I’d found out, could happen on this dock. Last week Lorraine and I dangled our feet over the side as she complained about her mother, who’d forbidden her to go to the senior prom unless she lost five pounds. “With Dean, for Crissakes!” Back in October they’d promised to go together if neither managed to score a real date.

“Oh pu-leez,” I’d groaned, clutching my throat. “Dean pushes that huge belly of his around like a baby carriage!”

Lorraine’s laugh clanged like a can of pennies spilled on the floor. (She didn’t tell me her mother had taken her to a doctor who’d prescribed “diet pills” for appetite-control. Later, she figured out how to get more herself.) “I did make out with him once,” she confessed, “when I was insanely frustrated.”

This weathered platform on the windy lake, near yet far from the manicured lawns of the suburban world above, freed us to be our disconsolate, alienated selves. After we quit laughing we screamed “Crash!” at a passenger plane flying overhead. Oh God, the aircraft took a sudden dive toward the trees, spewing exhaust fumes. “No, please, it was a joke!” we yelled at the sky. Miraculously, the plane heard us and righted itself.

Now Dad unlocks the chained oars. After I clumsily maneuver to the rocking hull, he pushes the “Renee Dee” into the lake. Mom named the second-hand rowboat after her step sister, Renee. Recently we’d learned that my aunt’s fifth husband, Horace Dee, was a bigamist. He had other wives all over the place, and the stores came to take back the fur coat and diamond ring he’d bought my aunt on the installment plan. “When it comes to men, my sister never had an ounce of sense,” Mom summarized.

The water is olive-colored, clear; you can still see to the bottom, not yet strangling with slimy seaweed, as it will be in the August heat. I see the skeleton of another house, sprouting in the new development on the opposite shore. The foundation scars the red dirt that was covered with thick sumac and birch. Already this place is ruined, I think.

Dad rows, his brown hands, not too hairy, gripping the oars. Though it’s chilly, he’s wearing his oil-stained gray shorts; his legs, permanently tanned, are shapely with graceful ankles, like mine. In an old photo of him at 16, he posed, slender and muscular in an old-fashioned one-piece bathing suit; he’s still handsome, and his eyes are still blue, but his greying hair is no longer black. Today he’s wearing a bag of salt around his throat to ease his chronic laryngitis, an old Polish remedy from my Jewish grandmother. I trail my lily-white fingers in the sorrowful green water, like a captive princess in a fairy tale.

“Ahem,” Dad rasps, clearing his hoarse throat, “are you aware of what’s happening in Viet Nam?” He already knows the answer: I’m not aware. When I do read The Times, not that often, I skip those parts, always boring and confusing, and focus on theater reviews and ads for linen dresses with wide leather belts. All I know is that Vietnam is a tiny country somewhere in Asia. We never talk about it in American Civilization class.

“We’re putting more of our people in there,” Dad tells me. He was right. In October of ’61, we had increased American troops and advisors from 600 to 16,000. According to an April, 1962 edition of Life, we’d just sent an additional 4,000, plus helicopters, transport planes, and tactical aircraft, armed with rockets, bombs, chemicals that defoliated jungle along the highways, and sentry dogs to flush out the Viet Cong. All this had cost billions. Yet, President Kennedy warned that it would take “skill, stubbornness, and perhaps ten years” for the South Vietnamese to win the war.

In fact, contrary to official reports, the Vietnam conflict, really a civil war, wasn’t going well. Ngo Diem, the Catholic monk that President Eisenhower had pulled out of a U.S monastery and sent back to Saigon to rule the South, was a problem. The shy, reclusive President ignored our military advisors and listened only to his brothers and flamboyant sister-in-law, Madame Nhu. He seemed to believe the U.S. was in Vietnam to keep his wealthy, elite family in power. He put on big parades in his own honor that Vietnamese citizens weren’t allowed to watch, and did nothing for the Buddhist peasants, who the Viet Cong either killed or helped.

When I scrolled through microfilms of Morris County papers, looking for articles about you, I discovered that on February 27, 1962, three days after you won the National Hurdles Championship in Madison Square Garden, two pilots in President Diem’s own Air Force bombed the Saigon Palace. Borrowing U.S. Navy AD-6 Skyraiders, they engulfed the former home of the French high commissioner in napalm flames, frightening the tame deer on the lawn. Finally they crashed and were captured. This was the third failed coup against the leader, but the histories I’ve read never mention it, and my father didn’t either.

What he was likely to say is, “I trust you understand The Domino Theory.” His tone indicates his doubt.

“Not exactly.” On my forays into Greenwich Village, I’d seen old men knocking walls of black and white dotted squares onto concrete tables in Washington Square.

“It means if we let South Vietnam fall to the Communists,” Dad explains, “the Russians and Chinese will swarm in and take over that entire part of the world.” (In fact, after the third failed coup, the Russians had warned that U.S. aggression against the Viet Cong, in violation of the 1954 Geneva Accord, threatened “alarming consequences” for world peace.) (“Consequences” signified nuclear war.)

“No kidding,” I say. “Is that why you went there?” A Mallard takes off, its tiny wings twittering to hold its heavy body aloft. The duck flies toward the island where “Spring still coys her petticoat frill of first green,” as I wrote in Izzy’s poem.

Then Dad gets to the reason why he lured me into this No Exit boat. “I understand the Wellington boy will be going to Georgetown.” Here we go again. I clutch my red cotton cardigan to my torso, wishing for the warm wool letter sweater you gave me, now hidden from Mom’s prying eyes in my bottom drawer.

“Maybe,” I say, pretending indifference. “I think they want to give him a scholarship, but I’m not sure he’s going there.”

This is the truth. When I bring Georgetown up, you don’t say how great it will be for us to be together in D.C. next year. Recently you’d mentioned trying to get into Michigan, where Hayes Jones is, and I didn’t know whether to feel hurt or relieved. I couldn’t quite picture us in D.C. Would we have an affair? I liked the exciting, dangerous word, but the actuality was hard to imagine. What if you dumped me? Or I met someone new? (I couldn’t see myself wearing a scarf and sunglasses in a fraternity boy’s convertible, like the coeds in Glamour.) If you dated other girls would I flunk out, deranged by jealousy and suicidal despair? (I don’t consider that under different circumstances I might get to know you.) Anyway, no one picked a college because it was close to someone from high school. Couldn’t you be in love in two different places?

Now Dad comes out with it: “Your mother and I are thinking of offering you a chance to study for a semester or two at a French university.”

“Huh?” I’m startled out of my musings. “I’m going to American University in the fall as you very well know,” I say with the contempt that denigrates my parents’ intelligence. (Today I’d ask, “What the fuck?”) How did they dream up this bizarre-o punishment? A breeze riffles up wavelets that slap the Renee Dee with a resonant blip.

“Europe would provide a wonderful opportunity for a future writer,” Dad argues. “‘Fabulous,’ as you would say. Think of the interesting characters you’d meet—poets, actors, jazz musicians…. You’ve been studying French for a few years now, and the Sorbonne offers language courses for foreign students. You could postpone American, and enroll there next year, a more knowledgeable and mature young woman, truly prepared for what higher education has to offer. I can attest you’d enjoy experiencing another culture.” He clears his sore throat. “I’ll be kicking around over there myself, consulting with the allies, so we could dine in authentic cafes and explore the Louvre together.”

“Not France!” My squawk flies out of my mouth like a goose.

“But you’ve always said you wanted to live in Paris someday.”

“Someday, not now,” I sob. “You’re just trying to get me away from Jim.” Tears gush out of my eyes. “I hardly ever see him anyway.” This is more or less true. Last weekend, you told me, you were up in Lake Telemark, playing pool with your new Scandinavian buddies. “Maybe I’m part Swedish,” you said, “Why I have these blond hairs on my arms.”

The boat moves farther away from the shore. “You’re just trying to get rid of me,” I rant at my father, “for no earthly reason.”

“That’s not what your friends are telling us.” The slack muscles in Dad’s arms are straining as he leans into the oars, and his soft furry stomach contracts into folds.

“What in high holy hell are you talking about?”

“Watch your language,” he warns. (He’s slapped me for saying “shit” at the dinner table.) “As it happens, a friend of yours called to tell us they’d seen you with him.”

“Who?” I retort. None of my friends would rat me out. Or would they? For the first time, I feel paranoid. I flip through a mental rolodex of everyone who knows about us. A few weeks ago we hung out in Morty Barr’s kitchen listening to his mom tell how she eloped with his dad a week after they met. She’d hugged you and didn’t act like she minded seeing us together. But maybe she did.

“Someone you think of as a very good friend,” Dad says mysteriously. Was Morty himself the tattletale? I wouldn’t put it past him, the double-crossing little skunk. Could it be Ruthie? Quel Horreur! She definitely qualified as one of my best friends. But recently she’d hinted that the girl hosting the Thespian cast party was against us coming together. I felt shocked and betrayed when Ruthie said, “I don’t think it’s such a good idea either.”

“Maybe they’re lying,” I say to my father. “Did that ever occur to you?”

“You’re the one who’s been lying,” Dad states. “To your mother and myself.”

So people I believed were allies were spying on us. “Where did they see us?” I demand, my voice wavering. I consider jumping over the side and swimming for shore in the icy water. It would serve Dad right if I drowned, or came down with pneumonia, but if I made it, he’d be there at the dinner table, angrier because I worried him with that stupid stunt.

“You have no idea where I go or with who,” I rave on. The last time we got together, we were making out in a strip of woods bordering a two-lane highway while Lorraine and your older brother, Nat, just home from Europe, waited in the car, swigging red wine straight from the bottle. Nat, who’d been a major baseball star at Morristown High School, amazed Lorraine with his stories about the West Bank of Paris. Neither of them would have called my parents.

Dad’s mouth tightens, meaning he’s fed up with me.

“You were the one who taught me that all people are equal,” I say, keeping my eyes on the bottom of the boat. Dad doesn’t reply. He turns the Renee Dee around, his arm pulling one creaky oar.

“I REFUSE to go to France!” My self-control cracks; I’m screaming now. “If you make me go, I’ll run away! I’ll kill myself!” These are my favorite threats but they sound hollow, unconvincing, leftovers from the distant past. As Dad knows, I haven’t run away from home since I was twelve, bundling my babysitting money in a scarf like a hobo would. I’d planned to take the bus to New York, and after that? I didn’t get far. Now I lock my door and run away to my secret thoughts, my poetry and journal. When Mom put me “incommunicado” for not cleaning my room, and wouldn’t let me talk on the phone, I wrote to Lorraine, “I may kill myself. I will swim out to sea and drown like the girl in that Moss Hart play, “The Climate of Eden.” Then I admitted, “I’m only toying with the idea of such a dramatic gesture.”

Now I come up with a more original bombshell to drop on my father: “If you force me to go to France, I’ll become a prostitute on the Champs Elysees.” The girl knows she’s losing it—while she maintains a haughty dignity in fights with her mother, her father quickly reduces her to an infantile fool—but she can’t resist adding, “And I won’t take money from Negro men!”

Dad assumes the bemused expression that distances him from his own Irritation. “That might prove a fascinating subject to write about,” he responds coolly.

After more weighted silence, he asks, speaking just above a whisper, “Do you want to try rowing for a while?”

“No,” I say sullenly, folding my arms across my chest. “You got us out here, you get us back.”

“You’re hurting your mother,” Dad croaks, implying he feels no pain himself.

As I suspected, this all came from her, the Racist. Maybe she dreamed up this Paris scheme when I told her I was moving to France after college. The girl believes that her father, who is big on civil rights, secretly approves of Jim, but sides with his wife to save his marriage.

Now he says, “It may not seem like this to you, but Mother and I are mainly concerned with your happiness.”

About Vicki Lindner, Writing for Peace Adviser

vicki Lindner (3)Vicki Lindner is a fiction writer, essayist, and journalist who has published a novel, Outlaw Games, and many short stories, essays, magazine and newspaper articles. She has written about a wide variety of subjects: cooking, bird watching, loneliness, dinosaurs, sculpture, not having children, travel, and medical malpractice. Her work has appeared in journals and anthologies, including The Paris Review, Kenyon Review, Ploughshares, Fiction, Chick-Lit; Post Feminist Fiction, Witness, the Best of Terrain, Del Sol, The American Literary Review, Gastronomica, New York Stories, In Short: An Anthology of Short Creative Non-Fiction, American Nature Writing, Northern Lights, and The Seneca Review. Her short story about karate, “Barefoot to the Bridge in Winter,” was the Fiction Premiere for New York Woman. Most recently, Lindner’s essays were published in Shadowbox and Western Humanities Review. Learn more about her work here.

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Stay abreast of Climate Change, Net Neutrality, and human rights activism, and learn where you can make a difference.

DoveTales Call for Submissions

DoveTales, a publication of Writing for PeaceDoveTales, An International Journal of the Arts, is accepting submissions for our 2015 “Nature” edition. Read our guidelines and submit here.

DoveTales Now Available In PDF Format

Writing for Peace supporters can now enjoy our beautiful journals in PDF format. Our 2013 “Occupy” and 2014 “Contrast” editions are now available for just $4.99.

DoveTales, an International Journal of the Arts, "Occupied" 2013“Occupied” 2013

Book Description: A full color journal, featuring poetry, essays, and fiction from established and emerging writers, as well as art and photography. Writers and artists explored the many definitions of the “Occupied” theme in brilliant and unexpected ways.

Contributors include: Andrea W. Doray, Kim Goldberg, Veronica Golos, Nancy Aidé González, Sam Hamill, Denny Hoffman, Michael Lee Johnson, Adam Jones, Ron Koppelberger, Paula Dawn Lietz, Paul Lindholt, Cory Lockhart, Shannon K. Lockhart, Ellen Meeropol, Mark A. Murphy, Tricia Orr, Kenneth Pobo, Manual A. López, Linda Quennec, Nausheen Rajan, Shirani Rajapakse, April Salzano, Nizar Sartawi, Laura Solomon,John Stocks, Julie Stuckey, Samantha Peters Terrell, Richard Vargas

Plus 2012 Young Writers Fiction Contest Winners: Shadia Farah, 1st Place; Caroline Nawrocki, 2nd Place; Tait Rutherford, 3rd Place

2014 DoveTales, "Contrast" Edition“Contrast” 2014

DoveTales, An International Journal of the Arts, 2014 “Contrast” edition features poetry, essays, and short stories from our 2013 Young Contest Winners, as well as established and emerging writers, and strikingly beautiful black and white photography from our Artist-in-Residence, Paula Dawn Lietz.

Contributors: Jordi Alonso, Cassandra Arnold, Maggie Bàra, Henry Braun, Lorraine Caputo, William Cass, Lorraine Currelley, Colin Dodds, John Garmon, Diane Giardi, Mark Goad, Veronica Golos, Sam Hamill, Dawnell Harrison, D. Iasevoli, Ed.D, Allan M. Jalon, Shelley Kahn, Richard Krawiec, Paula Dawn Lietz, Cory Lockhart, Shannon K. Lockhart, Veronica Marshall, Sandra McGarry, Iwona Partyka, Sy Roth, Andrew Sacks, Carol Smallwood, Julia Stein, Samantha Peters Terrell, Bänoo Zan

Plus 2013 Young Writers Contest Winners:

Fiction: Jordan Dalton, 1st; Nneoma Ike-Njoku, 2nd; Kasturi Pananjady, 3rd

Nonfiction: Paean Yeo, 1st; Janani Venkatesh, 2nd;  Vienna Schmitter-Schrier, 3rd

Poetry: Jessica Metzger, 1st; Peter LaBerge, 2nd; Janani Venkatesh, 3rd


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