Category Archives: Take Action

Small Bites: Regional Chapters of Writing for Peace, by Mary Carroll-Hackett

Gandhi gentle way quill

Small (Local) Bites: Creating Regional Chapters of Writing for Peace

By Mary Carroll-Hackett

I’ve had the privilege of working with the national organization Writing for Peace for the last four years, an organization dedicated to employing the skills, talents, and energy of writers toward the goals of promoting empathy and peaceful activism. The dream of one woman, Writing for Peace was started in Colorado by our founder Carmel Mawle, with its initial goal of particularly reaching out to young writers, through an annual Young Writers’ Contest. The dedication of this organization, to writing, to working to create real social change, to the belief that art can be and is a powerful tool for changing hearts and minds, and especially the organization’s dedication to young people, mirror in nearly every way the beliefs that drive my own writing, my own teaching, so I was thrilled when asked by Carmel to join the team of Writing for Peace advisers.

Writing for Peace continues to grow under the direction of our new President, Andrea Slack Doray, and an excellent board, all committed to the mission Carmel first set out years ago.

I introduced the organization and its mission to my own students, young poets, essayists, and fiction writers, in the classes I teach at Longwood University, and they loved it. They loved how the goals aligned with their own desire and passion for activism and social justice, loved that it embodied what they saw as the vital role of artists in creating real change in the world. From this initial introduction, we created the Online Youth Summit, an educational venture featuring keynotes from young activists from all over the world, creating a safe space for young people to engage, and fostering discussions of social justice and change, as well as celebrating their own creative work.

But Colorado’s a long way from the rolling rural farmland of central Virginia, and while we share so much in common, no matter where we live, every community and region faces its own unique needs and challenges. One question that kept arising among my students was How do we bring what matters about Writing For Peace home?

So, as is my habit, to promote and make space for autonomy and ownership, (and because I learn as much from them as I’ll ever teach them), I answered my students’ question with a question. I sent a message through an online thread to a list of twenty or so of my current students and alums, asking, “How do you see us bringing Writing for Peace here to Virginia? What would a regional chapter of WFP look like to you?”

The thread exploded, with the energy and enthusiasm and wisdom young people can bring, and the idea of WFP Regional Chapters began to grow, including community activists in our area, and supporters of the arts, as we developed the proposal, sought board approval, and began the steps to making a first chapter of Writing for Peace a reality here in Central Virginia.

This past Sunday, using the magic of online video conferencing, we gathered, a small group of like-minded collaborators, for the first meeting of the Central Virginia Chapter of Writing for Peace.

Writers of all backgrounds and ages, supporters of the arts, community activists, we, as a chapter, along with anyone who wants to join our efforts, have come together to do what we can and use the skills we have to make our own communities and region better, stronger, more peaceful places for all who live here. We believe, too, that one of the most effective roles we can play is in acknowledging, assisting, and providing support to other activists and organizations already doing good work on the ground where we are.

We envision the work we will do together arising from three primary goals:

Awareness. Education. Action.

In every day real-world terms, we envision chapters affecting change through projects we develop as a group, through the support we extend to efforts already in place in our communities, and through our own writing, using our voices right where we are.

I tell my students when they’re overwhelmed, as so many of us are these days:

Take small bites. We can’t run to the UN and create world peace all by ourselves. But we can, each day, in our daily conversations, promote peace and be willing to listen, even to those with whom we don’t agree. We can’t run to the White House and single-handedly stop the onslaught against the civil rights of American citizens. But we can show up for our own neighbors, our colleagues and peers, doing whatever we can to defend and protect their rights, and to let those in endangered populations, through real presence and action, know that we stand ready as allies, that we are truly there for and with them. We can’t cure world hunger, or solve homelessness, or rescue every child caught in domestic violence or fostercare. But we can work at food banks, distribute coats and blankets to the homeless, or come together to raise funds in support of domestic violence shelters.

I recently opened a small food bank in my office, so that any student who struggles with hunger on our campus can come in and be helped. When they show up in my office for food, I don’t ask their politics, don’t ask how they voted. In that moment, in my community, on the local level, politics don’t matter. In that moment, in my community, on the local level, I can make a real-world difference. And in that small act, both of us, the student helped, and I, can move a little more peacefully through the rest of our day.

Doing what we can, where we are, with what we have, to help—that’s what matters.

This is the heart of Writing for Peace, at the national and international level, and now, at the community level as well. So Writing for Peace chapters were born.

For anyone who is interested, or wants guidance, in starting a chapter, the Central Virginia Chapter stands ready to help in any way we can. For more information, check out our page on how to start a chapter here.

We hope that this inaugural chapter will inspire others to do the same, to come together to create Writing for Peace chapters across the country, across our beautiful planet.

This, we believe, is how real change happens. This is how we work together, boots on the ground, to make the world safer, kinder, more peaceful for all of us.

Mary Carroll-Hackett
Member, Central Virginia Chapter
Regional Chapter Liaison
Board Member, Writing for Peace

Mary Carroll-Hackett, Writing for Peace Adviser2Mary Carroll-Hackett is the author of The Real Politics of LipstickAnimal Soul, If We Could Know Our Bones, The Night I Heard Everything, Trailer Park Oracle, and A Little Blood, A Little Rain. Her newest collection of prose poems, Death for Beginners, will be out from Kelsey Books in September 2017. Learn more about Writing for Peace Adviser Mary Carroll-Hackett and her work here.

Small Writing for Peace logoWriting for Peace News

Take Advantage of Our Donation Match Offer:

An anonymous donor has generously offered to match all donations up to $2500 during the month of December. This, coupled with our holiday Fundraising Special (below), means your contribution will go further and supplement more libraries than ever before!

5 books 2

Holiday Fundraising Special!
During the month of December, we will donate a complete five-volume set of DoveTales, an International Journal of the Arts to the public school library of your choice for every tax-deductible donation of $75 or more!

Our administration is board operated, and all members, board and advisers, work on a volunteer basis. 100% of contributions go to support our mission. Writing for Peace is a 501c3 nonprofit corporation, Federal Tax ID Number, 45-2968027.

Ours is a simple mission with profound affect on the lives of our young writers:

Through education and creative writing, Writing for Peace seeks to cultivate the empathy that allows minds to open to new cultural views, to value the differences as well as the hopes and dreams that unite all of humanity, to develop a spirit of leadership and peaceful activism.

Donate now to take advantage of our special library offer and see your contribution doubled!

Copyright © 2017 Writing for Peace. All rights reserved.

Purse String Stagecraft, By David Scott Pointer


   Purse String Stagecraft

By David Scott Pointer


Flesh-eating economic system



over community blood pressure apparatus,

attached to intergenerational empty wallets

attached to local and international poverty

attached to invisible, intertwined groups

with similar, different interests systemically

turned upon each other like pit-bulls or birds


opening up the doors of paddy wagons


box spring-bounce house, driver euphoria

disguising decades old ‘screen test’ metal

rebranded as unfortunate rough ride…….

splashed into teenage brain cells


to corporate college, mass consumerism


page-turner TV, sound byte burn-bits

strategically misusing blackness stilled

aiding 1% adding machine economics



Brake Slamming Role Players


Police act like casting agents



prisoner transport van, vamoose,

stomping on, lead-footing gas…

catapulting cuffed, unsuspecting

prisoners head-neck first into

their ‘screen test’ debuts, with

slim chance at Hollywoood, now

enroute to overcrowded hospital


About Writing for Peace Adviser David Scott Pointer


David Scott Pointer is a long time social justice/political poet. His father, a piano playing bank robber, died when David was just 3 years old, leaving him to be raised by his grandmother, who determined that the best way to keep her young charge from emulating his “scoundrel” father was to socialize him to be a good soldier.  David’s earliest memories are of training for battle in his backyard in Kansas City, Missouri. Learn more about David and his work here.



quill3Victoria’s Writing Tips~

Creating Story Tension with Characters

By Victoria Hanley

An important part of writing a story is creating a convincing antagonist to oppose the main character. For this writing exercise, bring to mind someone from real life whose personality grates on you and whose perspective seems to be all messed up. Now, write a scene from that person’s viewpoint. Describe the world through their eyes, and do your best to imagine and express the turbulent tides of their emotions. How will this help you to create an interesting antagonist for a story of your own?


Meet Victoria Hanley, Writing for Peace Adviser

Victoria Hanley, Writing for Peace AdviserVictoria Hanley’s novels have won many honors and awards at home and abroad, and inspired two nonfiction writing books: Seize the Story: A Handbook for Teens Who Like to Write, and Wild Ink: Success Secrets to Writing and Publishing in the Young Adult Market. She teaches writing at Lighthouse Writers Workshop in Denver and at Northern Colorado Writers in Fort Collins.

Learn more about Victoria’s books, read her blog, download a free chapter of Wild Ink, and watch Victoria in action at

Small Writing for Peace logo

Writing for Peace News

Activism Update From Adviser Dr. Margaret Flowers:

Dr. Margaret Flowers, Writing for Peace Adviser“A recent report by the Union of Concerned Scientists, “The Climate Deception Dossiers,” proves that the corporations which profit from the burning of fossil fuels knew about global warming decades ago, knew their industries contributed to it and responded by funding propaganda to deny global warming and pushing policies that increased their profits at the expense of a livable future.”

Follow the latest Popular Resistance developments here.


DoveTales “Nature” Edition Update

DoveTales "Nature" CoverPurchase your copy of DoveTales “Nature” and support Writing for Peace! To all those who have ordered books for yourself, family, and friends, we thank you from the bottom of our hearts. Book sales help to cover the substantial costs of funding our mission.

DoveTales are available through our website here.


 Copyright © 2015 Writing for Peace. All rights reserved.

World Peace Through Volunteerism, By Brian Wrixon

peace69Building World Peace Through Volunteerism

by Brian Wrixon

                “Passage – the act or process of moving through, under, over, or past something on the way from one place to another.”


The title Passage to India has been used at least twice in the history of great English literature, first by the American poet, Walter (Walt) Whitman (1819-1892) in the 1900 edition of his Leaves of Grass, and secondly by English novelist E.M. Forster (1879-1970) in his 1924 work, A Passage to India. The 1984 film version of Forster’s novel won two Oscars. With great respect to those two giants of literature, I borrowed their title for my own book, “My Passage to India” which was published in 2014.

My first personal passage to India took place in January 2013. I visited what is commonly known as The Golden Triangle, the cities of Delhi, Agra and Jaipur in the north. I had been invited to read my poetry at the inaugural Delhi Poetry Festival and I was intent on attending the Jaipur Literature Festival. My conclusion was that literature has a way of breaking down international and racial barriers. One of the highlights of that trip was the opportunity to sit spell-bound for an hour and to listen to the Dalai Lama speaking about the historical influence of Buddhism on literature.

My second trip in February 2014 and my third in October 2014 were both to the beautiful state of Kerala. That part of southern India is known for its production of rubber, spices, tea, coconuts, cashews and coffee and for its magnificent Backwaters. I went on a volunteer placement, principally to work with small businesses, helping them with strategic business planning. My trip was organized by the Canadian NGO, Chalice Canada.

My visits to India served as an attempt on my part to eliminate the various myths that I associated with the country and to establish, once and for all, my own reality of India. There are two kinds of people in the world as far as opinions about India are concerned, and both types have very definite opinions. When I told people where I was planning to go, half of them responded positively and spoke with envy about the experiences that I would have. The other group invariably responded with disgust. “Why in heaven’s name would you want to do that?” was the meekest of their replies. Many other comments were unfit to repeat.

I have heard every horror story imaginable about India, its filth, poverty, corruption, stench, disease, evil social habits and crime. According to the disgusted, most of whom it turns out have never set foot in the place, the streets are paved in excrement, rats run everywhere, flies cover everything that moves or doesn’t move, and the horrid stench of the country can be smelled five miles off shore by those unfortunate enough to be passing by on a cruise ship. We are led to believe that crime is rampant, people are slaughtering each other in the streets for religious reasons, every male is corrupt and every female is in mortal danger of rape, murder or forced prostitution.

From my own personal travels to India I have learned that most everything that one has read or heard about the country is patently false or at the very least, over-exaggerated. People simply repeat what everyone “knows” about the place. Our experience is that we view a place by its parts and then reach a conclusion about the place by combining those parts into a self-interpreted reality. Indeed for me, I look at many of the same things that others see, but I reach a very different interpretation of that combined reality. I suppose that I simply choose to interpret what I see in a very different light than most, that the glasses through which I peer are tinted quite differently. I have lived my whole life that way. Generally, if the world is lined up and heading in one direction, I find myself safer and happier if I head off in the opposite direction, off the beaten path as it were.

But in addition to finding out for myself what India was really like, I had another more important reason for venturing off that well traveled path. I am at that stage in my life when the desire to make a difference, to have an impact or to do something meaningful has become a driving force for action. My wife Cheryl and I are no strangers to Chalice Canada, an NGO situated on our east coast. For several years we have sponsored a number of children through them – three in Africa, one in Haiti and one in India. It came to my attention that Chalice was looking for people with certain skills or talents who might be willing to travel to their various site locations to share those abilities with others. Many years ago I developed a planning system for small businesses called “Growth By Design”. The problem with many small operations is that those who own them know how to do the work of the business, but often don’t have a clue about how to run the business. For example, there is a huge difference between being a great chef and running a successful catering business. My planning system helps business owners visualize what it is they wish to accomplish and then assists them in establishing a step-by-step framework for making it happen. Chalice encourages entrepreneurs in various regions and invited me to pilot my program in India to see if it could have application there and elsewhere.

Like Walt Whitman in his poem, I felt like I was on something of a spiritual journey. But I admit that I travelled there the first time with a combination of terror and excitement. As I indicated, I had heard so many terrible things about the country, how it was an evil assault on all the senses, the mind and the heart. I was warned to check all my sensitivities at the border, that I would be changed forever and for the worse. But I returned from India with a remarkable sense of fulfillment, calm and fully at peace. I indeed was changed forever, but for the best. Through my passage I have become a more spiritual person and I hope a spokesperson for what I regard as a very kind and very gentle nation, despite what those who maintain their walk on the beaten path may say or believe about it. Like always, I know that I walk a separate route from most, that I have taken the less travelled path and that, like poet Robert Frost, for me that has made all the difference.

One cannot help but feel close to God in India – his, her, their presence is everywhere. At every turn of the road there is a temple, mosque, church, shrine, sanctuary or votive holy place. Every meal, meeting, or event starts and ends with a prayer. Religion is very much a part of everyday life in India, but I don’t mean “organized religion”, I mean that a sense of spirituality permeates Indian society. That is not to say that what we would call “organized” religions have not played a part in India society historically, and indeed continue to do so today. The common understanding is that the organized religions of India are at war with each other.

My read on religious intolerance and sectarian violence in India is that it all takes place at organizational and governmental levels, and not amongst the common people. A large number of social scientists feel that many of these inter-religion acts of violence are institutionally supported, particularly by political parties and organizations connected to the advancement of one or more ideologies. I personally did not witness any religious intolerance or a religious divide during my visits to India. It was evident that most people were members of some religious faith and that the spirituality that their membership afforded them was part of their daily lives. I found that people were Indian first and religious second and the fact that they were Indian united them and the fact that they were religious did not divide them. In truth, it seems that the fact that everyone was spiritual in their own way brought them all together, not under a common god or belief system, but as members of a believing community.

I started these comments by defining the word passage – “the act or process of moving through, under, over, or past something on the way from one place to another.” I made a physical journey to the other side of the world, but my passage was more than that, it was one of the mind. I moved through or past the widely-held prejudices about India. I moved into a society that is spiritual in nature and where love abounds at the grass-roots level. The driver behind all of this was the fact that I traveled for a purpose. I went there to volunteer my time and talents, but as is usually the case when one embarks on such a journey, I got more in return than I gave in the first place. I went to India to discover a land. Instead, I discovered a people. I tried to help them and they in return made me a better person.

That opportunity for self-development is available to all of us and is a goal that we should be trying to instil in the younger generation. We can all help to build world peace through travel if we simply take it upon ourselves to travel with a purpose. We can each become our own private Peace Corps. We all have talents and abilities, and if we reach out and share them for the benefit of others, we will find that we can create a chain of held hands that stretches around the world. Perhaps you do not have the health or the financial ability to travel to a country like India, but I bet that there is a neighborhood in your own community that would welcome your skills. If you set the example then the spirit of volunteerism will be easier to foster among our youth. Remember the words from the old song, “If everyone lit just one little candle, what a bright world it would be.”

I worked with five ladies who operate a power laundry business in a small village in southern India. When I asked them if my discussions with them were of any value, one lady replied, “You showed us how to dream and you taught us how to make it happen.” That comment will remain with me for the rest of my life and has changed how I view the world and the brotherhood of man. That same opportunity is available to all of us if we just reach out a hand and take that first step.

About Brian Wrixon, Writing for Peace Adviser

Brian Wrixon, Writing for Peace Advisor

Brian Wrixon is a retired business executive who, after serving over 40 years in the financial services industry, devotes his time to creative endeavours. In addition to writing and publishing his own poetry and prose works, he has been instrumental in assisting hundreds of young and emerging authors from around the world get published, either personally or as contributors to group anthologies. Learn more about Brian’s work here.

Small Writing for Peace logoWriting for Peace News

Recommended Reading From Adviser Dr. Margaret Flowers:

Dr. Margaret Flowers, Writing for Peace AdviserDramatic Correlation Shown Between GMOs And 22 Diseases

Stay abreast of Climate Change, Net Neutrality, and human rights activism, and learn where you can make a difference.

DoveTales Now Available In PDF Format

Writing for Peace supporters can now enjoy our beautiful journals in PDF format. Our 2013 “Occupy” and 2014 “Contrast” editions are now available for just $4.99.

DoveTales, an International Journal of the Arts, "Occupied" 2013“Occupied” 2013

Book Description: A full color journal, featuring poetry, essays, and fiction from established and emerging writers, as well as art and photography. Writers and artists explored the many definitions of the “Occupied” theme in brilliant and unexpected ways.

Contributors include: Andrea W. Doray, Kim Goldberg, Veronica Golos, Nancy Aidé González, Sam Hamill, Denny Hoffman, Michael Lee Johnson, Adam Jones, Ron Koppelberger, Paula Dawn Lietz, Paul Lindholt, Cory Lockhart, Shannon K. Lockhart, Ellen Meeropol, Mark A. Murphy, Tricia Orr, Kenneth Pobo, Manual A. López, Linda Quennec, Nausheen Rajan, Shirani Rajapakse, April Salzano, Nizar Sartawi, Laura Solomon,John Stocks, Julie Stuckey, Samantha Peters Terrell, Richard Vargas

Plus 2012 Young Writers Fiction Contest Winners: Shadia Farah, 1st Place; Caroline Nawrocki, 2nd Place; Tait Rutherford, 3rd Place

2014 DoveTales, "Contrast" Edition“Contrast” 2014

DoveTales, An International Journal of the Arts, 2014 “Contrast” edition features poetry, essays, and short stories from our 2013 Young Contest Winners, as well as established and emerging writers, and strikingly beautiful black and white photography from our Artist-in-Residence, Paula Dawn Lietz.

Contributors: Jordi Alonso, Cassandra Arnold, Maggie Bàra, Henry Braun, Lorraine Caputo, William Cass, Lorraine Currelley, Colin Dodds, John Garmon, Diane Giardi, Mark Goad, Veronica Golos, Sam Hamill, Dawnell Harrison, D. Iasevoli, Ed.D, Allan M. Jalon, Shelley Kahn, Richard Krawiec, Paula Dawn Lietz, Cory Lockhart, Shannon K. Lockhart, Veronica Marshall, Sandra McGarry, Iwona Partyka, Sy Roth, Andrew Sacks, Carol Smallwood, Julia Stein, Samantha Peters Terrell, Bänoo Zan

Plus 2013 Young Writers Contest Winners:

Fiction: Jordan Dalton, 1st; Nneoma Ike-Njoku, 2nd; Kasturi Pananjady, 3rd

Nonfiction: Paean Yeo, 1st; Janani Venkatesh, 2nd;  Vienna Schmitter-Schrier, 3rd

Poetry: Jessica Metzger, 1st; Peter LaBerge, 2nd; Janani Venkatesh, 3rd


DoveTales Call for Submissions

DoveTales, a publication of Writing for PeaceDoveTales, An International Journal of the Arts, is accepting submissions for our 2015 “Nature” edition. Read our guidelines and submit here.


Enter Our 2015 Young Writers Contest 

2013 Writing for Peace Young Writers ContestHelp spread the word! Go to to meet our previous winners and learn about our prestigious panel of judges: Antonya Nelson, fiction; Stephen Kuusisto, poetry; and Steve Almond, nonfiction. Read the full guidelines here.

Support Writing for Peace

Our administration is board operated and volunteer based, so your contributions go directly towards publishing, maintaining our website, shipping DoveTales journals and participation certificates to our contributors and young writers in 24 countries, and providing modest prizes to our contest winners. We hope you will join the generous contributors who make Writing for Peace possible. Writing for Peace is  a 501(c)3 nonprofit. Make your tax-deductible donation today.

Copyright © 2014 Writing for Peace. All rights reserved.

My Mother’s Funeral, A Review by Robert Kostuck

Adriana Paramo, Writing for Peace AdviserMY MOTHER’S FUNERAL

by Adriana Páramo

CavanKerry Press, 2013, 258 pp., $21.00, ISBN 1-933880-39-2

A Review, by Robert Kostuck

In My Mother’s Funeral, Adriana Páramo slips between her mother Carmen’s life before children, her own childhood memories, and the present—wake, funeral, cremation. Woven into these personal experiences is an omnipresent Columbia: the open spaces of Mariquita, the squalid poverty of Medellín and Bogotá, rival drug gangs, politics, Catholicism, the Communist Party revisited.

Objectivity is difficult to achieve in a book-length essay; Ms. Páramo, however, succeeds admirably—she gently and firmly pieces together the tapestry of the mother and daughter relationship; readers will find common themes presented in even-handed and sometimes startling prose. Her writing is educational without being didactic; emotional without being sentimental.

Politics in Colombia were harsh in the 1950s. Her rarely-seen father, ‘Mr. B’, a cachiporro (liberal), seduces the innocent Carmen, and after the wedding rushes her away from her home—a few hours ahead of the godos (conservatives). First night together is spent in a whorehouse; for the remainder of the marriage Mr. B comes and goes as he pleases, impregnating Carmen and then vanishing for months or years at a time. At one point her sister Dalila acquires a partially-decomposed adult male human skeleton—courtesy of a ‘snatcher’, recommended by the nuns—and together sister and mother boil and clean the bones. Assembled, Dalila receives her coveted A+ in anatomy and the unnamed skeleton literally hangs around the house, a possible replacement for the missing Mr. B.

The baby of the family, Adriana curls up with her mother in the kitchen or in bed, listening to the stories of the world filtered through a tabletop radio: sports, agony aunties, soap operas, tangos, boleros; Carmen singing along with the radio, Adriana, watching her mother “morph into a woman”.

“Tal vez mañana puedas comprender / Que siempre fui sincera / Tal vez por alguien llegues a saber / Que todavia te quiero. Maybe later you might understand / That I was always sincere / Perhaps someone will help you see / That I still love you.”

Childhood for Adriana, is a combination of head-long curiosity and goofy naiveté. Carmen, and to a lesser extent, her sisters, guide and guard the young Adriana. Memory is selective; what Adriana shows us is how this mother shapes her daughters: strict, efficient, economical—she maintains a poor but tidy home and life for her children. Lessons by word or example are rarely repeated; they become the very fibers of her daughter’s body and personality. Toward the end of the memoir, Adriana writes,

“Our financial situation started to improve when we moved to Medellín, and Dalila, Amanda, and Ligia got secretarial jobs that required them to wear nylons, high heels, and modest suits. Eventually they began going back to school at night, but they never stopped working, never stopped rescuing Mom and their two younger sisters from the constant panic of uncertainty. I owe everything I am to the women in my family—to my sisters and Mom. Nobody else.”

This is the heart of the memoir: what a daughter learns from her mother: how to be a girl, how to become a woman; and when that mother begins to fade from autumn into winter, how to become her mother. When Carmen, beset by Alzheimer’s, visits Adriana the wife and mother at her new home in Alaska, she relates a story about her pregnancy with Adriana so at odds with the life lessons she’d imparted over the years that her daughter feels an urge to “. . . jump into the lake and sink slowly into its frigid waters.” The fantastic and heartbreaking revelation adds another thin, sharp layer to this complex mother and daughter relationship.

Returning to Colombia in torn jeans and a gypsy blouse, Adriana arrives at the wake, faces somber and seemingly more mature sisters and a brother. Funerals are holidays for the dead, a time when far-flung family reunite and wonder aloud what went right and what went wrong. Her sisters and brother are emotional but methodical—Adriana feels like the only one with an incomparable loss—the woman who as a child promised her mother that she would always remain her little girl. A few days stretches into a painful eternity, and when the siblings return home to divide Carmen’s possessions, Adriana is nostalgic, then practical:

“I imagine landing in Miami, trying to make it through customs with a fern, a plastic chair, a flyswatter, a river stone, and a broom, and I have to laugh at my childishness. I discard my mental list. Instead I take a pair of earrings that belonged to my grandmother, (. . .) a photo of the six women—my four sisters, Mom, and me—that my brother took the day I left Colombia; the locket with a photo of my daughter that Mom wore around her neck like an amulet. I also seize the printout of Mom’s last EKG, taken two days ago.

“(. . .) I don’t know this yet but in six years I will look at this EKG and realize that the ink is fading away and with it the only existing traces of Mom’s heartbeat. I’ll have it tattooed around my left bicep, much to my family’s dismay, so that her heartbeat and mine will always be together.”

My Mother’s Funeral is the literal translation of that EKG tattoo, spanning decades, continents, and lives; a heartbeat that remains long after we scan the final page and move on into the days to come.

Robert Kostuck, Writing For Peace Guest WriterRobert Kostuck graduated from Northern Arizona University with a Masters in Education. His published work appears in the Kenyon Review, Concho River Review, Zone 3, Tiferet: Literature, Art, and the Creative Spirit, Silk Road, and others.

Writing for Peace News

Onward Into 2014!

Last year brought growth and many exciting firsts for Writing For Peace. Here’s a brief overview of 2013:

In 2013 our Advisers continued to demonstrate a commitment to peace and the power of writing through their work, their inspirational blog posts, brilliant ideas such as Mary Carroll-Hackett’s educational Facebook page for young writers, MCH-What’s Going On? and Pilar Rodriguez Aranda’s efforts to reach Spanish speaking young writers by translating our 2014 contest guidelines. Here are just a few of the highlights:

  • Sam Hamill‘s new and revised translated collection of Chinese poetry, Crossing the Yellow River is being published by Tiger’s Bark Press. His Selected Poems (not yet titled) will be published by Lost Horse Press in September 2014.
  • Lorraine Currelley was selected as an Artist-in-Residence for the 2014 Seniors Partnering with Artists Citywide (SPARC) and as a new member of the Pearls of Wisdom Storytellers. Her Poets Network & Exchange will publish their first poetry anthology in 2014.
  • Veronica Golos is working on a new book, Root Work: The Lost Writings of John Brown and Mary Day Brown. “Of course John Brown was a great abolitionist and so was his wife, Mary and she also had 13 children. I have Ghost Code poems and Runaway poems also in the book. This is a way to make history live again, to get inside it so to speak.”
  • Richard Krawiec supports a community of writers and activists through education and his ever expanding Jacar Press.
  •  Maija Rhee Devine spoke with young people in South Korea and the United States about her award-winning books, The Voices of Heaven and Long Walks on Short Days, her experiences as a young girl during the Korean War, and her work with Korean Comfort Women.
  • Dr. Margaret Flowers continues her peace and healthcare activism. She currently serves as Secretary of Health on the Green Shadow Cabinet. Her recent article, Major Social Transformation Is a Lot Closer Than You May Realize — How Do We Finish the Job?, is also co-written with Kevin Zeese, and published on AlterNet.
  • Adriana Paramo‘s new memoir, My Mother’s Funeral, explores the volatile relationship with her mother, and their love that defies cultural forces, Bogotá street violence, and Medellin drug lords.

This is just a sampling of the wonderful work all our advisers do. Please watch our blog for their posts, follow their work, and support the poets and authors whose writings and activism encourage a more thoughtful and peaceful world.

In 2014, we look forward to hearing from Board Member Andrea W. Doray, who recently returned from Nepal, and to continued growth – including the occasional review on our blog! On this first day of the New Year, we welcome guest writer, Robert Kostuck, who reviews Adriana Paramo’s memoir, My Mother’s Funeral.

Happy New Year, Writers for Peace! And thank you for your ongoing support!


Copyright © 2014 Writing for Peace. All rights reserved.







Transforming the World through Social Media, by Carmel Mawle

Uniting for Peace

 Transforming the World through Social Media

By Carmel Mawle

If, like us, you wondered how Facebook’s decision to go public would affect your accounts. Now we know. It’s meant more ads, more data mining, more selling of our private information to governments and corporations, but for those of us who are trying to transform the world through small grass roots efforts, the change has shaken us to the core.

Before the summer of 2012, when Facebook went public, Writing for Peace reached up to 110,000 readers per week. Now, we reach close to 6000.

Two years ago we posted our first Young Writers Contest on Facebook, and were overjoyed to receive entries from all over the U.S. This year, we heard from young writers in 21 different countries. Will this growth continue? I don’t yet know how these new restrictions will translate to practical outreach, but I’m worried.

The bottom line is this: Facebook wants us to pay a minimum of $30 per post in order to “reach an estimated 3,600 – 6,600” people. If we want to splurge, we can choose to reach “an estimated 74,000 – 110,000 out of [our] potential audience of 140,000 people” by paying $600 per post. Facebook is charging for access to the relationships we cultivated over the course of two years through a service they presented as being without cost.

Even if we had the money, I would argue against it on principle. Not a single member of Writing for Peace is paid a dime. Despite the generous donations of friends, family, and the Colgate University Research Council, the website, awards and certificates, postage, and, yes, the full-color printed DoveTales journals are over 90% self-funded. It’s a stretch, but if we were flush, we would want those funds to go toward the young writers, scholarships, workshops, journals, and more journals.

Not Facebook.

Like delicate strands braided into an indestructible rope, we are a powerful force when united. Social media has been lauded as a tool for creative connections and revolutions. This communication tool made possible the Arab Spring and Occupy Movements, and allows the dissemination of information from outside the corporate media – a truth that has governments shaking in their jackboots. The drive to monetize our relationships is reflective of a corporate mentality directly opposed to grassroots efforts like Writing for Peace.

If you’ve read this far, you are already committed to changing the world – and probably wondering what you can do to help. Believe it or not, you can make the greatest impact not by sending money (though we wouldn’t object), but by spending a few minutes every day on behalf of those causes you are committed to. Take the time to check our Facebook page frequently. We will make it worth your while with loads of inspiration and information. Invite your friends to like our page and please subscribe to our blog. If you appreciate a post, hit the like button. Leave a comment. Share our posts on your page. And while you’re at it, mention our Young Writers Contest to your kids’ teachers and email us for free bookmarks to share. These small things make a HUGE difference in our outreach, and we are grateful to each of you who already make a consistent effort on our behalf.

This is a collaboration, and you are essential to this experiment. As the world teeters on the brink of another war, help us spread a culture of peace.

Carmel Mawle is the founder of Writing for Peace and serves as President of the Board of Directors.Carmel Mawle is the founder of Writing for Peace, and serves as president of the Board of Directors. Carmel is a member of the Denver Lighthouse Writers Workshop. Her work has appeared in Smokelong Quarterly, SPACES Lit Mag, Mountain Scribe Anthology, and upcoming in KNOT Magazine.

 Writing for Peace

Writing for Peace News

Take Action on Syria

Write your Representatives: Prevent an Attack on Syria Now

Hit the Streets: Americans Don’t Want A War in Syria—And They’re Working Hard to Prevent One, by Kevin Zeese and Writing for Peace Adviser Margaret Flowers

Congratulations To Our New Young Advisers

Writing for Peace is pleased to introduce two remarkable young peace activists, the founding members of our new panel of Young Advisers. Both have shown an extraordinary commitment to peace. Check their pages and watch our blog for their inspirational posts.

Natan Blanc, Writing for Peace Young AdviserNatan Blanc is an Israeli who refused to serve in the IDF (Israeli army) “because of its actions against the Palestinians living in Gaza and the West Bank.” Natan held fast to his convictions, despite being jailed ten times.

Lyla June Johnston, Writing for Peace Young AdviserLyla June Johnston is a Navajo poet and peace activist from Taos, New Mexico, who has found her home in the service of humanity.

Writing for Peace is accepting nominations of young activists, writers, and artists, for our new panel of Young Advisers. Please send nominations by email, along with the reasons for your nomination and contact information to, subject heading: Young Adviser Nominations.

2014 Young Writers Contest

Writing for Peace Young Writers' ContestThe Writing for Peace 2014 Young Writers Contest deadline is March 1st, 2014. Our prestigious Judges Panel includes Robin Black, fiction; Dinty W. Moore, nonfiction; and David Mason, poetry. Submission guidelines here.

 DoveTales, a publication of Writing for PeaceDoveTales Call for Submissions

Writing for Peace is accepting submissions for our 2014 Issue of DoveTales, an International Journal of the Arts. The theme of our second journal is contrast. Check out our submission guidelines here.

Support Writing for Peace

DoveTales, an International Journal of the Arts, "Occupied" 2013Help us reach out to schools and young writers by purchasing a copy of DoveTales, an International Journal of the Arts to gift to your local high school or junior high. Let us know you are gifting your copy, and we’ll include extra bookmarks (beautifully designed by artist-in-residence, PdLietz). Purchase our 2013 “Occupied” Issue here.

Copyright © 2013 Writing for Peace. All rights reserved.