I’ve kicked my ass all over the world
for sipping poisons like an oenologist,
but it’s not without its rewards:
the cracks in buildings speak
and I’m the plenipotentiary
of a foreign power whose name I forget.
I enjoy name recognition
among the ghosts of certain places
because they recognize a fellow taster,
one who let the invaders settle in
before levying a dhimmi tax on them.
This is my Islam, that I died
so often standing up, stepping out
to get a breath of air and going in
for all that crap about genetics;
my Islam is noticing what’s going on,
burning the authorized version in oil drums
under bridges, growing abutments
to support my Queensboros
over rivers of shifting wrecks
& vortices of forgiveness not so much
as a famine of the eye.
Djelloul Marbrook is the author of five published poetry books: Far from Algiers (2008, Kent State University Press, winner of the 2007 Stan and Tom Wick Poetry Prize and the 2010 International Book Award in poetry), Brushstrokes and Glances (2010, Deerbrook Editions), Brash Ice (2014, Leaky Boot Press, UK) , Shadow of the Heron (2016, Coda Crab Books), and Riding Thermals to Winter Grounds (2017, Leaky Boot). Forthcoming in 2017 from Leaky Boot are four more: Nothing True Has a Name, Even Now the Embers, Other Risks Include, and Air Tea with Dolores. His fiction includes Saraceno (Bliss Plot, 2012), Mean Bastards Making Nice (2014, Leaky Boot), and two books of short fiction forthcoming in 2017 from Leaky Boot: A Warding Circle: New York Stories and Making Room: Baltimore Stories. He won the 2008 Literal Latté fiction prize for “Artists Hill,” an excerpt from Crowds of One, Book 2 in the Light Piercing Water trilogy, forthcoming in 2018 from Leaky Boot. A U.S. Navy veteran and retired newspaper editor, he lives in the mid-Hudson Valley with his wife Marilyn and maintains a lively presence on Twitter and Facebook: https://www.facebook.com/djelloul.marbrook.5
2017 Young Writers Contest
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