Read 2020 Young Writers Contest Finalists Pieces In Our July Blog
Congratulations to Sophia Fang, whose short story “Zongzi” came in as one of two 2020 Young Writers Contest Fiction Finalists. Sophia is in grade 10 at Westview High School in Sandiego, California. Read her short story, “Zongzi,” here.
Friday Live Readings
If you missed Adviser Stephen Kuusisto’s wonderful reading from his latest book, Have Dog, Will Travel, the recording is available now. Learn how his book, requested by Simon and Schuster, evolved into the lyrical memoir it became. Stephen’s reading touched on his process and activism, the books that influenced his writing and personal growth, and became something of a love poem to his first guide dog, Corky and his wife, Connie. Watch the reading in full here.
Our next Friday Live Reading is on July 24th at 8pm ET with Martín Espada, our DoveTales Resistance Featured Writer. He will read from his new book, Floaters, and discuss his process and activism. Find the details here. You won’t want to miss this!
Martín Espada was born in Brooklyn, New York in 1957. He has published more than twenty books as a poet, editor, essayist and translator. His forthcoming book of poems from Norton is called Floaters. His many honors include the Ruth Lilly Poetry Prize, the Shelley Memorial Award, the Robert Creeley Award, the National Hispanic Cultural Center Literary Award, an American Book Award, an Academy of American Poets Fellowship, the PEN/Revson Fellowship and a Guggenheim Fellowship. The Republic of Poetry was a finalist for the Pulitzer Prize. His book of essays and poems, Zapata’s Disciple (1998), was banned in Tucson as part of the Mexican-American Studies Program outlawed by the state of Arizona, and reissued by Northwestern University Press. A former tenant lawyer, Espada is a professor of English at the University of Massachusetts-Amherst.
If You Don’t Know Me by Now…
By Adviser E. Ethelbert Miller, in AWP Magazine & Media
Too many metaphors are missing these days. In their absence, we desperately search for a way of explaining the sudden upheaval in our society. We uproot the past looking for historical clarity. Unfortunately, the future often wears a mask. We are no longer protesting like this is the ’60s. The motion of history has taken us somewhere else. “Where are we?” is as difficult to utter as “Once upon a time.” As writers, our own words and narratives (if we are not careful) can turn against us, and even become suffocating.
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