By Azfar Ali Rizvi
Among other things that almost all children universally share, is a tree. It could be the one in the backyard of our oldest house. The tree you played around. It could be the one you carved your name in, or the one you buried your pet cat under. Sometimes it’s simply the one you held close, while curiously looking at the funeral of your best friend’s brother. Or worse your own brother’s. Trees are our saviors, whether we acknowledge or not. They allow us to celebrate our gains and mourn our losses. They let us be.
This fleeting thought was triggered by news last year that the 007 Skyfall director Sam Mendes will bring to life the much loved British Author Enid Blyton’s Faraway Tree series. Blyton has left behind an unmatchable legacy– her books not only sold over 500 million copies across the world, but were also translated into 40 languages. Pippa Harris, co-founder of Neal Street Productions, the company responsible for this ambitious task, expressed her excitement over the development, saying, “The Magic Faraway Tree is one of the most loved children’s books series from an iconic author whose work has been adored by generations. To be able to adapt these for the big screen is incredibly exciting.”
So I picked it up again last week, and saw the merit in C.S. Lewis’ words: “ … a story worth reading only in childhood is not worth reading even then.” I can read it again and again, and find something new every time. Storytelling at it’s best, the series sparks imagination about peace, diversity and family values. It reminds of us the potential of love and coexistence in a small world. This is a story that opens a portal to another world in every week, and gently nudges the readers to accept contrasting nuances and cultures. As adults, we tend to forget this as we take the world head on, and life gets in the way of our understanding of stories.
A good story amuses us; a great story allows us to fantasize and bend this world and the situations we find ourselves in, to allow us to clearly focus on the moral aspects of what’s happening. Hence, I consider it a privilege to be a small part of WFP. Every year, we are treated to some of the most challenging, unique and diverse perspectives from around the world. WFP is simply championing the cause of barebones storytelling for peace. My allegiance is not just because I crave a peaceful future, but also because writing liberated me from the clutches of my past, and allowed me to soar to a better future. A future where I could be with my tree and carry it on my sleeve.
Azfar Rizvi is a proponent of social justice, and a driving force behind interfaith, cross-cultural and pedagogic initiatives across three continents. He is a Toronto based documentary filmmaker, Photographer, an academic and a cross-platform communications strategist.
Originally from Karachi, Azfar experienced extremism in his early years after surviving violent ethnic cleansing first hand. The incidents shook him to the core and he started exploring reasons behind extremism through this writing; something that evolved from local dailies to covering systemic national issues for news and current affairs publications across Pakistan. Before transitioning into television news and documentaries, he took to presenting radio with the country’s first English radio network at the time.
Learn more about Azfar Rizvi here.
Writing for Peace News
Activism Update From Adviser Dr. Margaret Flowers:
“Black Americans, Indigenous peoples and immigrants who are standing up to highlight the injustices they suffer on a daily basis are creating a long overdue teachable moment for whites in the United States. Whites who believe in equality, an end to prejudice and equal justice for all are standing with them; together we can make transformational change on racism and prejudice.”
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DoveTales “Nature” Edition Update
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